Viewers looking for innovative storytelling and surprises won't find much of either in
Rob Reiner's THE BUCKET LIST. It's straightforward and predictable, with nary a divergence from the standard Hollywood playbook. But that doesn't mean it's not engaging -- and for that, it has its two leads to thank. You have to give the producers props for trying, but it's all a bit too treacly. Save for one unexpected twist, within the first half hour, you can pretty much tell which loose ends will be tied up before the credits roll. (No offense to Freeman, but can we do away with his now-ubiquitous, gravitas-filled voiceover? The man has other talents.) Cole will be revealed to have a soul much more complicated than the movie first hints; Chambers will become a man much more conflicted than his serene exterior suggests. And you can bet that each helps the other fully realize his potential.
Still, there's a certain delight in seeing Nicholson and Freeman interact; it's a heavyweight duet in which Reiner clearly takes delight. He gives them time to playfully spar and do what each does best (Nicholson is playful, Freeman is grave). Maybe the next movie they'll be in -- and they ought to team up again -- will have a more insightful, original script. Though, truth be told, obvious as The Bucket List may be, you may find yourself hard pressed not to be moved -- if only a little -- in the end.