Fur: An Imaginary Portrait of Diane Arbus

  • Review Date: May 7, 2007
  • R
  • Genre: Drama
  • 2006
 Review

Common Sense Media says

Biopic is smart, but leaves questions unanswered.
greenON: Content is age-appropriate for kids this age.
yellowPAUSE: Know your child; some content
may not be right for some kids.
redOFF: Not age-appropriate for kids this age.
not for kidsNOT FOR KIDS: Not appropriate for kids any age.

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Quality
 
Sometimes media can be age appropriate but a real waste of time. Our star rating assesses the media's overall quality.

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Parents say

Not yet rated

Kids say

Not yet rated

What parents need to know

Parents need to know that this mature biopic about edgy photographer Diane Arbus isn't for kids. It includes explicit nudity (body parts and full frontal at a nudist community), and some sexual activity. The subjects of Arbus' photos include unusual fringe characters like sex workers, dwarfs, giants, twins, and nudists. Characters discuss adultery, depression, sexual desire, and suicide (one character kills himself); children worry about their mother's absences from home. Characters smoke cigarettes and do plenty of social drinking. Language includes at least five uses of "f--k."

  • Diane's attraction to Lionel leads to an adulterous night and rejection of her family.
  • A character commits suicide.
  • Pervasive metaphorical and explicit sexuality; full-frontal nudity in first and last scenes (set in a nudist camp); repressed/early Diane reveals her bra on her porch, then worries about it; several scenes show Diane and her husband in bed. (They're intimate but strained: When she licks his wrist, he's embarrassed and pulls away.) Sex between Diane and Lionel (in bed, and also, more allusively, as she shaves off his fur); Lionel asks Diane provocative questions about her desires; mild S&M scene (couple dances, in costume); sensual visuals of fur and some objects (camera, razor).
  • Some language: "f--k" (5+), "t-ts," "Jesus Christ!"
  • Vintage magazine covers (Vogue, Harper's Bazaar); 1950s products (Chock Full o' Nuts coffee, Sunbeam bread) -- all used to establish scene/era, rather than for promotion, per se.
  • Plenty of social drinking (martinis, wine, scotch); cigarette smoking.

What's the story?

Diane (Nicole Kidman) is her photographer husband's careful, quiet assistant, but she wants to do more with the camera than change lenses and load film. When she meets a fictional neighbor named Lionel ( Robert Downey, Jr.), he dares her to imagine another sort of life, one more sensual, more original, and less bound by convention. Intrigued when Lionel invites her to meet his friends -- a cellist without arms, a prostitute, a giant, and other folks who work as circus "freaks" -- Diane stops attending to her usual '50s housewife routines and starts listening to jazz, leaving her hair uncombed, and working with her Rolleiflex (the boxy camera she used during her career). Fur suggests that Diane's changed attitude affects her family, alarming her two children and disappointing her imperious mother. But the main focus is on Diane's imaginary romance with Lionel, which represents the next step she takes -- to become a professional photographer on her own.


Is it any good?

 

Unusual and sometimes disturbing, FUR: AN IMAGINARY PORTRAIT OF DIANE ARBUS doesn't so much show the photographer's life as imagine how she experienced it. Inspired by Patricia Bosworth's Diane Arbus: A Biography, this is a risky project, interpreting instead of reporting biographical events, and it will trouble some viewers for taking such artistic and emotional license.

A passionate, earnest film braced by Kidman's taut performance, Fur keeps its distance from its subject. The central questions of her work -- What is her relationship with her subjects? Are her famous portraits of "freaks" exploitative or self-exploratory, images of deep relationships between subject and artist, or ways to distance them from their viewers? -- remain unanswered.


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What families can talk about

Families can talk about Diane's increasing distance from her family as she discovers her art. How does the movie suggest that her conventional existence -- as wife, mother, and assistant in her husband's business -- stifles her creativity? How does Diane learn about herself by meeting people outside her usual frame of reference? What purpose does introducing a fictional character (Lionel) into a biography serve? Why is it important to be able to express yourself creatively? What are your creative outlets?


This review was written by Cynthia Fuchs
Adult
July 6, 2010
 
Everyone is beautiful in their own way
I absolutely loved the relationship of Lionel & Diane in this movie. It's a really different but beautiful film. It shows love & compassion for people who might be different from others, but are equally beautiful in other ways, maybe even more sensitive and caring because of their differences. It's a good film for teaching sensitivity to kids. It shows that everyone needs and deserves love. :)

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Teen, 17 years old
April 9, 2008
 

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This review was written by Cynthia Fuchs
Studio:Picturehouse
Director:Steven Shainberg
Cast:Nicole Kidman, Robert Downey Jr., Ty Burrell
Genre:Drama
Run time:120 minutes
Theatrical release date:November 10, 2006
DVD release date:May 8, 2007
MPAA rating:R
MPAA explanation:graphic nudity, some sexuality and language.

This review was written by Cynthia Fuchs
 

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About our rating system
ON: Content is age-appropriate for kids this age.
PAUSE: Know your child; some content may not be right for some kids.
OFF: Not age-appropriate for kids this age.
Learning ratings
BEST: Really engaging, great learning approach.
GOOD: Pretty engaging, good learning approach.
FAIR: Somewhat engaging, OK learning approach.
NOT FOR LEARNING: Not recommended for learning.

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