Gone with the Wind

Victor Fleming could have retired after 1939 and he'd still be lauded for having directed (or at least finished directing) two of the most important movies of the 20th century -- Gone With the Wind and The Wizard of Oz, both of which turned 70 in 2009. Both films are considered among the best of the best, ranking in the top 10 in Greatest of All Time lists, and both films are a pleasure to see multiple times, preferably at various points in a person's life, to truly appreciate. A tween taking in all four (!) hours of Leigh and Gable might focus on the costumes and war and tune out the sexism and slavery of the time period depicted, while an older teen might hone in on the swoon-inducing romance (even current movie gods like Clooney and Pitt have nothing on Gable), whereas a parent might be less sympathetic to Scarlett and favor Melanie's quiet strength instead. There's a reason the Hollywood adaptation of a Southern saga won 9 Academy Awards and is still commemorated seen decades later -- it's got it all: drama, violence, intrigue, romance (even sex, although it takes grown-up eyes to spot it), historical importance, a timeless score, and an amazing cast.

If you can forgive the stereotypical depiction of slaves, and the general romanticizing of the antebellum South, the two main reasons to keep watching Gone With the Wind are Leigh and Gable. Actors who want a master class in chemistry should be forced to study how their scenes together. Leigh, an Englishwoman, is effortless in her portrayal of a gorgeous, manipulative Atlanta socialite, and Gable, with the briefest of smoldering looks, could level an entire theater-full of women. The supporting cast is also remarkable, as is the cinematography and the costume design (the unforgettable  green-velvet dress made from curtains). It's difficult to imagine families sitting down for a four-hour film -- especially one without hobbits, Transformers, or wizards -- but Gone With the Wind is worth the long evening in, especially the 2009 four-disc, Blu-Ray collectors' edition, which includes nearly 20 hours worth of extras, celebrating everything from Hollywood's golden year 1939 to a first-person interview with de Havilland about working on the film opposite film legends.