The Happening

The Happening, the first R-rated film from writer-director M. Night Shyamalan, feels like a throwback to '70s cautionary disaster B-movies like Day of the Animals or Invasion of the Body Snatchers, with nature itself seeming to turn against humanity. The mood of many individual scenes -- spooky, scary, and grim -- works. But when you move past the bodies and blood, the structure of the movie itself feels curiously slack, with Elliot and Alma running for safety as things go from bad to worse. There's no real underlying plot arc to the film, and the critical event is set along a completely arbitrary timeline that the lead characters have no power to affect.

So, while The Happening meanders from horrible vision to grim vignette, it doesn't really cohere as a story -- there's a lot of running, a lot of worrying, and plenty of bad things happening to good people, but it never quite engages the viewer. (Wahlberg also doesn't quite have the chops as a leading man to make us believe in his character; many of his scenes feel more accidentally amusing than deliberately dramatic.) The Happening revolves around an intriguing idea and features a few striking images, but ideas and images aren't a substitute for storytelling and screenwriting. The Happening may have a few chills and scares, but it doesn't have the plot structure or sense of real tension that would tighten its loose collections of scenes into an iron chokehold of horror and dread.