Though it's hobbled by a murky, sometimes mawkish script (sample dialogue: "You can't go to the past to get to the present"), HENRY POOLE IS HERE is still surprisingly interesting, if only because it dares to wear its faith on its sleeve. Irony doesn't live here, and that's very refreshing -- as is the courage to take on such a complicated subject. Wilson is perfect for the job; he's the picture of man defeated, shuffling to an inevitable death. Henry fights any hope that's sent his way -- including the appropriately named Esperanza -- and Wilson makes his struggles palpable. Here is a man who doesn't want to believe but is confronted with many reasons why he might want to.
Still, you have to wonder how much stronger the movie would have been had the filmmakers trimmed down some of the more portentous bits. Nearly every epiphany is foreshadowed, and situations are rigged for maximum tearjerking effect, which, of course, renders them that much less potent. For instance, must grocery girl Patience be saddled with such an obvious name (not to mention Coke-bottle glasses) when she is, quite plainly, supposed to be the character who sees life so clearly? Tonally, too, the movie is all over the place; one minute it's funny, the next it's somber. Even though we already want to believe, director Mark Pellington makes sure to milk the emotion in nearly every scene so that nothing's left to serendipity, leaving little reason for us to take a leap of faith.