Harrowing and provocative, THE LAST KING OF SCOTLAND traces the rise of Idi Amin by taking the perspective of the young Scottish doctor. While the device could seem hackneyed, it's instructive here, for the film never lets viewers forget that the doctor comes to Africa to "play the white man," as Amin puts it, careless and self-indulgent.
As a metaphor, the fictional Nicholas makes clear the insidious means by which the West, and -- in particular -- the Caucasian West, exploits and abuses its privilege in other nations. While The Last King of Scotland makes Nicholas pay dearly and repeatedly for his vanity and willful ignorance, it also encourages your investment in his plight. Still, the fact that Nicholas -- however inadvertently, however much he seems a victim -- is also capable of great horrors (he lets others perform them, then judges them), makes him even more troubling than Amin. He should have known better.