The Coen brothers have a deep appreciation for film history, and many of their past films have been tributes to the 1930s and '40s genres. With
The Man Who Wasn't There, they return to the inspiration for their first film,
Blood Simple, the films noir of the 1930s and 1940s. With this film they go further than they have before in submersing themselves into the genre, with little of their usual ironic distance.
Part of the code of the films noir was that evil could not triumph. These times may be just as uncertain, but audience expectations have changed. This movie is so traditional in structure, tone, language, and content that it might bewilder viewers not familiar enough with the genre to recognize that some of the names in the movie are taken from noir classics like Double Indemnity and Gandolfini's performance seems to channel the brilliant, underrated 1940's actor, Paul Douglas. They will, however, appreciate outstanding performances from the entire cast, especially Tony Shaloub as a hotshot lawyer. Like all Coen brothers films, it is filled with stunning images, this time brilliantly filmed in black and white.