A lushly photographed, beautifully costumed feast for the eyes,
The Other Boleyn Girl reveals the machinations of power-hungry men and women in the Tudor court. (It's a popular subject; Showtime has dedicated an entire
TV series to it.). The cast is superb, the set design exact. Still, history buffs are bound to wince at the liberties the film takes with the facts, as well as how it speeds through huge swaths of time (the first half-hour feels particularly herky-jerky). And though screenwriter Peter Morgan's script bears the mark of a true professional -- he also wrote
Helen Mirren's
The Queen -- the dialogue is burdened in spots by too much explication.
But despite its flaws, the film resonates, thanks to its stars. Johansson one-ups her performance in Girl with a Pearl Earring, which proved she had a face for period pieces, and turns in a surprisingly nuanced performance. And Portman proves she's not just a good girl by attacking her villainess role in earnest; she's conniving, manipulative, and dedicated to ambition at any cost. But in the end, she's all too human, especially when her happiness is denied just as easily as the king's is indulged.