| ON: Content is age-appropriate for kids this age. | |
| PAUSE: Know your child; some content may not be right for some kids. | |
| OFF: Not age-appropriate for kids this age. | |
| NOT FOR KIDS: Not appropriate for kids any age. |
Parents need to know that this update of a 1940s comic book from one of the creative forces behind 300 is overflowing with hyper-stylized and excessive violence -- and suffused with smirking sexuality. There's only one instance of nudity (female buttocks), but the movie's sexual politics are decidedly retrograde -- all the female characters are either tarted-up villains, "bad" girls with hearts of gold, or long-suffering true loves who stand by their men. Also be prepared for buckets of stylized (but still graphic) bloodshed and lots of gory wounds and deaths. While the violence has the hyperactive, cartoony feel of a comic book, it's also brutal and depicted with extraordinary detail.
When he was a live, The Spirit was a cop named Denny Colt -- but after his
death he returned from the grave impervious to wounds ... and more than a
little confused. Now the masked crimefighter (Gabriel Macht) keeps the city safe from criminals and crime, perpetually grappling with his nemesis, the Octopus (Samuel L. Jackson). The Octopus and international jewel thief Sand Saref (Eva Mendes) -- who just happens to be Denny's long-lost boyhood love -- are tangling over a pair of mystical artifacts; if The Octopus gets what he wants, he'll become all-powerful and unstoppable. Can The Spirit stop his nemesis, reunite with his lost love, and untangle the mysteries of his own mysterious resurrection?
Directed by Frank Miller -- the comic book creator behind 300 and Sin City -- THE SPIRIT takes comic book icon Will Eisner's 1940s character and updates him in all the wrong ways. The classic Spirit strips had a noir sensibility, but they also had rich, well-drawn characters and a brilliant sense of urban setting; Miller, making his directorial debut, jettisons all that for flashy visuals, sexy posing, and over-the-top violence.
All of the actors are capable -- even the bland, handsome Macht in the title role -- but Miller's script is so shabby and threadbare that it's impossible to care about the characters or their situations; awash in fake blood and infantile sexuality, The Spirit doesn't so much represent the triumph of style over substance as represent the triumph of style over everything, including sensibility, storytelling, the look and feel of the original material, and the need to create a coherent film. Miller may be able to craft a story on the printed page, but with The Spirit, it's clear he can't make the jump to the big screen.
Families can talk about the appeal of comic book cinema. Why do so many comic characters, no matter how marginal or lesser-known, seem to wind up on the big screen? Do all comic book movies have the same appeal? Why or why not? Families can also discuss the movie's broad, almost cartoony violence -- is a violent film that's so over-the-top more or less problematic than a realistic one? What would be the real ramifications and consequences of violence like what's shown here? Also, how does the movie depict women? What role do they play? And how much of the film's marketing and iconography is about selling sex?
| Studio: | Lionsgate |
| Director: | Frank Miller |
| Cast: | Eva Mendes, Samuel L. Jackson, Scarlett Johansson |
| Genre: | Action/Adventure |
| Run time: | 103 minutes |
| Theatrical release date: | December 25, 2008 |
| DVD release date: | April 14, 2009 |
| MPAA rating: | PG-13 |
| MPAA explanation: | intense sequences of stylized violence and action, some sexual content and brief nudity |