Directed by Frank Miller -- the comic book creator behind 300 and Sin City -- THE SPIRIT takes comic book icon Will Eisner's 1940s character and updates him in all the wrong ways. The classic Spirit strips had a noir sensibility, but they also had rich, well-drawn characters and a brilliant sense of urban setting; Miller, making his directorial debut, jettisons all that for flashy visuals, sexy posing, and over-the-top violence.
All of the actors are capable -- even the bland, handsome Macht in the title role -- but Miller's script is so shabby and threadbare that it's impossible to care about the characters or their situations; awash in fake blood and infantile sexuality, The Spirit doesn't so much represent the triumph of style over substance as represent the triumph of style over everything, including sensibility, storytelling, the look and feel of the original material, and the need to create a coherent film. Miller may be able to craft a story on the printed page, but with The Spirit, it's clear he can't make the jump to the big screen.