THE TAKING OF PELHAM 1 2 3 is successful, fancy filmmaking: It's efficient, gripping, and hits the right marks. But in this update of the 1974 classic, New York is no longer gritty. Busy, yes; rat-infested, yes. Tawdry like New York in the 1970s? No. That's not to say that a train hijacking could only happen in old New York. But a crime that takes place in the warren-like bowels of the city seems discordant when set against the slick, finance-driven backdrop depicted here, somewhat diminishing the intensity of this still-gripping thriller.
On the acting side, though there's little shading in his character as it's written, Washington tries hard, managing to add depth to the role. And Travolta turns in a believable performance, but it takes some time for him to establish his villainy. Menacing with his perma-scowl and tattoos, his voice is nevertheless too decent (even while uttering expletives). The rest of the supporting cast -- which includes James Gandolfini as a lame-duck mayor and John Turturro as a hostage negotiator -- is strong, elevating the film's artistry. The breakneck camerawork heightens the drama, but a few more lingering shots would have been nice. Without them, the characters feel like pawns in a glitzy game -- one that's entertaining but not a classic.