The Third Man (NR, 1950)

common sense media says

As powerful and original now as it was in 1949.


parents & educators say

What parents need to know

Parents need to know that this movie sets out to entertain, and does so ingeniously, without blood or sensational violence. Still, the shadowy, suspenseful mood and wry dialogue may not appeal to some preteens, so this one is better for teens and their parents.

Positive messages: Not applicable.
Violence: None except for a few fatal gunshots, only by reference. A murder scene is tastefully presented without a drop of blood. The dark, haunting mood and a chase through a winding sewer system might unnerve some preteen viewers.
Sex: Not applicable.
Language: Not applicable.
Consumerism: Not applicable.
Drinking, drugs, & smoking: Not applicable.

More on The Third Man

What to talk about

Talk to your kids
Families can talk about the filmmaking techniques used in this 1949 film, and how it compares to the more action-oriented spy thrillers of today.

What's the story?

What's the story?
Set in postwar Vienna, this classic espionage movie follows the story of American writer Holly Martins (Joseph Cotten), who comes to Vienna because his old friend Harry Lime (Orson Welles) promised him employment. But Martins learns that Harry was killed in a car crash and that his friend had a criminal background and was, in fact, a killer. Martins finds himself caught up in the mystery surrounding Lime's death.

Is it any good?

Is it any good?
 
Several factors contribute to make THE THIRD MAN as powerful and as stunningly original now as it was when it premiered to great acclaim in 1949. Graham Green's taut story and wonderfully snappy dialogue provide a strong foundation for some outstanding performances. Then there are the dank and glorious ruins of Vienna, exquisitely captured by Robert Krasker's Oscar-winning camerawork. And there's that music, a lone zither plucking jauntily away throughout the movie, even at the scene of a murder. Director Carol Reed's unconventional choice to have unknown musician Anton Karas perform the entire soundtrack met with objections, but it worked splendidly and made a star of Karas.

Orson Welles doesn't appear onscreen until two-thirds of the way through, but his presence is felt early on. The skewed camera angles, the imposing shadows; these, he said, were Reed's genius, but there's no mistaking the influence of his own Touch of Evil and Citizen Kane, which Welles and Joseph Cotten also starred in together. This is a movie that sets out to entertain, and does so ingeniously, without blood or sensational violence. The American Film Institute voted it number fifty-seven on their list of the 100 greatest American movies of all time.

Movie themes & details

Movie Details
Studio: Selznick International Pictures
Director: Carol Reed
Cast: Alida Valli, Joseph Cotten, Orson Welles
Genre: Classic
Run time: 93 minutes
Theatrical release: February 2, 1950
DVD release: November 30, 1997
MPAA Rating: NR

This review was written by Scott G. Mignola
 
 

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Most useful reviews by all members

gumba61
adult
 
Great Film Noir with Style and Mystery
This is a classic film of the Cold Way period. Joseph Cotton and Orson Wells are their magnificent selves. The film is fine for older kids but you'll probably have to spend time explaining the plot to them.

mongofa
teen, 17 years old
 
There are many things that make this movie great. The acting is fantastic! The cinematography is perhaps the pest I have ever seen. The seen where Joseph Cotton walks through the sewer corridor is chillingly great.

 
A good movie, a good story, but quite a heavy theme.
It is a cynical, gripping, but also very provocating thriller. It shows the depressingly crestfallen Vienna in the post-war world. Black Market, Disease and Substance Abuse are common themes. Apart from being an effective cultural and social commentary, it also questions the "All-American Hero" cliche, which many (mostly American movies) have picked up until today. The protagonist is a drunken, unlucky author of cheap novelettes, who acts very naive at times. The antagonist is a cunning, cold opportunist, who knows how to manipulate the characters. The policeman is an evenly calculative englishman, who may as well be seen as the secondary hero of the story. It has a great historical value, as most sceneries are authentic, because it was made in 1949. And don't forget the typical British humour. Intelligent plot, interesting characters, and creative components make this movie a highlight among, even Noire-films.

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