What’s the Story?
They say that the two worst years of a woman's life are the year she is 13 and the year her daughter is. We get to experience both at once in THIRTEEN, about 7th grader Tracy (Evan Rachel Wood), who's catapulted into self-destructive behavior because she wants so badly to be accepted, to be cool, and to numb some of the pain of growing up. Tracy lives with her brother Mason (Brady Corbet) and their mother, Mel (Holly Hunter), a loving but damaged recovering alcoholic who does her best to support the family. On the first day of 7th grade, there are always a couple of kids who really hit the puberty jackpot over the summer. Just as the rest are at their most clumsy, insecure, and vulnerable, those impossibly sure and golden kids appear to have arrived at the destination while everyone else is still trying to find the map. For Tracy, it is Evie (co-screenwriter Nikki Reed), who seems to have everything she desires. So when Evie introduces her to drugs (taking them and selling them), shoplifting, body-piercing, lying, and sex, it seems a small price to pay for feeling accepted or, to use a word that is only used about teenagers or celebrities, "popular."
Is It Any Good?
Reed and first-time director/co-screenwriter Catherine Hardwicke have given this film great strengths -- particularly its authenticity of detail and its genuine commitment, even tenderness, toward its subject matter. This really shows in the performances. Hunter is fearless in revealing Mel's fragility, her generosity, and the deep, deep love for her children that grounds her. Wood is breathtakingly open; every ounce of the joy and anguish she feels in heart-breaking relief on her face. Wood shows us Evie's wounded child inside the cool manipulator. The script has some particularly subtle and perceptive moments, especially when Tracy's father keeps asking for the problem to be explained to him "in a nutshell."
On the other hand, it would be nice if Tracy didn't have to take on every single one of every parent's worst nightmares; in addition to substance abuse, sexual involvement, lying, stealing, and failing in school, she develops an eating disorder and cuts herself. There are enough teenage problems in this movie to fill a decade's worth of after-school-specials. But the film's weaknesses are the weaknesses of youth and inexperience, and that is actually very appropriate for the subject matter.

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