However, despite all that, it's hard to consider this a feminist film. There's a fine line between telling the silenced stories of women and dressing up a soap opera in Thelma and Louise clothing. At one point, Constance deadpans, "The hardest part of being a woman is having woman friends." At another, Anna says, "I've come to believe that (her philandering husband) Dean is more typical than not. The female keeps the nest and the male goes out and flaunts his feathers." What could be more "biology is destiny" than that? So be aware that the woman-power ethos is a veneer for a great old Southern gothic story and enjoy it for that.