On the Waterfront (NR, 1954)

On the Waterfront contrasts two conflicting ways of looking at the world and especially at responsibility. Edie and Father Berry see a world in which people have an obligation to protect and support each other. Johnny sees the world as a place where what matters is taking as much as you can. Terry is somewhere in the middle, with his kindness to the Golden Warriors and his pigeons on one side and his willingness to take what Johnny's way of life has to offer on the other. In part, Terry falls in love not just with Edie, but with the vision of another life that Edie represents. Like Edie, Terry is inspired to fight back by a tragic death.

This movie also raises some important issues about the nature of power. At the beginning, Johnny seems very powerful, and power matters more to him than money. But it is clear that the choices he makes to protect that power, more than any action taken by anyone else, are the beginning of the end. As he orders people killed, even close associates, he begins to appear desperate. The men who will kick back a few dollars and stay "D&D" about corruption won't stand for that level of violence and uncertainty.