I have been listening to Green Day since I was about 6, when Good Riddance (Time of Your Life) had begun another extended tour on the radio. I was too young to listen to American Idiot when it was released, but now, I can safely say I adore every track on the album. I was able to rediscover my love for Green Day (I also enjoyed Basket Case when I was about 9) when 21st Century Breakdown was released last year. As with any artist, the repetitive, catchy singles are overplayed to the point of being painful on the radio, and therefore it was easy for some to dismiss the Berkeley punks latest masterpiece as noise pollution. I am here to tell you are wrong! :) Sure, the rock opera portion of the album is a little overlooked (or just too easy to overlook) in the context of the entire album, but even without the contiuous plot reminder that was clearly displayed in American Idiot, Christian and Gloria are still present on the album, with tracks such as !Viva la Gloria!; Christian's Inferno, and Gloria's name becoming a taunting, snarling refrain towards the end of the highly explicit Horseshoes and Handgrenades. But the messages are still there. American Idiot was so successful in its anti-Bush-policy/save us from ourselves crusade mainly because before Green Day released American Idiot in 2004, most had thought the little band-that-could was done for. Not so. :) As this is the dawn of a new administration (whether you like America's leader at this time or not, remember, that isn't relevant now!), there isn't too much of a buck-the-system feel. Rather, Green Day took the streets, bringing back the cries for an end to all wars, head-banging ballads about back-wood corrupt Christian churches, and a potential Best Rock Song of the Year (Grammy Awards; 21 Guns, one of the best songs on the album, and one of the worst offenders are far as overplaying goes). All in all, there are still three-chord power songs, explicit content (one reference to an orgasm, used in a literate way, and the now-standard Green Day f***, god-****, s***; and the occasional hell, though the last one is a reference to lead singer Billie Joe Armstrong's birth place-Born into Nixon, I was raised in hell. A welfare child where the teamsters dwell. Last one born, and the first one to run. My town was blind from refinery sun...
All in all, the lyrics are consistently fantastic, with lots of sly references and analogies thrown in for good measure. Mix it all together, and what do you get? Quite possibly the Best Rock Album of the Year. What can I say? They have my vote. :)