Back to Black
What’s the Story?
Listeners of BACK TO BLACK may at first think they've come across some re-released oldies from the Motown canon, mixed in with a few hip-hop influenced songs. Amy Winehouse's voice ranges from sweet to husky, and the production from Salaam Remi and Mark Ronson is wonderfully retro -- full of horn stabs, jazz guitar riffs, piano arpeggios, and classic doo-wop harmonies. Additional listens unveil a remarkably layered personality and songwriting palate. Winehouse shows off a disarmingly tart tongue, brutally dishing out abuse to the other sex, as on "Me & Mr. Jones," which employs the rarely used profanity, "F--kery." She recounts her adulterous transgressions with self-deprecating wit on "You Know I'm No Good," which features a cameo rap verse by Ghostface Killah.
Is It Any Good?
Like many great albums -- and this is the best soul record to come out since 1998's Miseducation of Lauryn Hill -- Amy Winehouse's Back to Black gets better with each play. As you dig deeper into the songs, you'll see a woman who is deep, self-aware, and even devoted at times. This CD has it all: soul-drenched jazz and funk music, a dynamic voice, and well-written songs. It couldn't come any more highly recommended.

Become a member and get recommendations from other parents based on your child's age.