| ON: Content is age-appropriate for kids this age. | |
| PAUSE: Know your child; some content may not be right for some kids. | |
| OFF: Not age-appropriate for kids this age. | |
| NOT FOR KIDS: Not appropriate for kids any age. |
Parents need to know that the four-letter words on this album seem gratuitous; could they possibly have been contrived for the purpose of earning a Parental Advisory sticker? In this case, they add nothing but jarring counterpoint to the artist's baby-doll voice.
Brooke Valentine's voice evokes a young Diana Ross without the benefit of a brilliant producer's (Berry Gordy's) clear aesthetic vision. CHAIN LETTER is musically all over the place. What may be meant to come across as versatility ends up sounding like a mish-mash of styles performed by a talented young woman in dire need of some thoughtful production. The musical high points also happen to be the bits that will make parents cringe the most: cameos by Li'l Jon and Big Boi from Outkast; the songs "Girlfight" (infectious and danceable) and "I Want You Dead" (let's be honest -- we've all felt that way at times). But there just aren't enough high points, nor enough consistent sound or vision, to make this a great album.
Brooke Valentine's voice, unfortunately, isn't nearly as versatile as her wide swath of musical choices, and as a result some songs are far more successful than others. Even worse, most of the tracks suffer from tediously uninspired arrangements. The artist's breathy, baby-doll voice is pretty, but not forceful enough to make up for a whole lot of insipid instrumentation.
Families can talk about whether or not girls still feel like they have to talk like the bad boys in order to be taken seriously.
| Artist: | Brooke Valentine |
| Release date: | April 12, 2005 |
| Label: | Virgin Records |
| Genre: | Hip-hop |
| Parental advisory: | Yes |
| Edited version available: | Yes |