Shane (NR)

"Come back, Shane!" Classic Western for the ages.

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Common Sense rates it
5
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Movie details
  • Studio: Paramount
  • Directed By: George Stevens
  • Cast: Jean Arthur, Van Heflin, Alan Ladd, Brandon de Wilde, Jack Palance, Emile Meyer
  • Running Time: 118 minutes
  • Release Date: 04/23/1953
  • Video/DVD Release Date: 08/15/2000
  • Genre: Classic
  • MPAA Rating: NR

Parents need to know

Parents need to know that this is a serious-minded Western, not one of the charming but silly singing-cowboy fantasies that stampeded by the hundreds out of old Hollywood. Death is a serious thing here, and gunplay is realistic, not cartoonish or gratuitous. There's also a sense of the harshness of frontier life. The possibility of an adulterous love triangle is present but tastefully handled. Some viewers may be more troubled by the hints of Hollywood's longstanding Gone With the Wind sentimental representation of the Confederate South (the movie takes place shortly after the Civil War), or the equating of drinking whiskey with being a "real man."

Families can talk about how the characters seem unable to escape their social roles. Though it's not spelled out in detail, Shane is a veteran gunfighter trying to put his violent past behind him, but he winds up pulled back into killing, even if he is supposedly defending innocent people. Even the villains seem to be offering a last-minute compromise solution, which is declined. Did the conflict have to turn out the way it did? What do you think would have happened if Shane stayed with the Starretts?

Message

Social Behavior:

Most characters take principled stands, putting their lives on the line for what they believe is right. But their hidden motivations result in violence. Shane tries to put his deadly past behind him, but gets dragged back into killing. He resists temptations to join the bad guys and have an affair. A supporting character is depicted (warmly) as a Confederate. Indians and other people of color are invisible.

Consumerism:

Based on a popular (and equally fine) novel.

Drugs/Alcohol/Tobacco:

Whisky galore in a cowboy saloon, with Shane significantly humiliated, abused, and told he's not a "man" when he orders non-alcoholic stuff. Other characters get notably drunk.

Violence

Fistfights and shootings, many of the bullets turning out to be fatal. Director Stevens, a WWII veteran, was determined to keep the gunplay realistic -- not gory, but not harmless and cartoony either.

Sex

Only the modest indication that Mrs. Starrett is attracted to Shane.

Language

Common Sense says

What's the story?

Reviewed by Charles Cassady, Jr.

Shortly after the Civil War, a traveler named Shane (Alan Ladd) lingers with a family of Wyoming homesteaders, the Starretts, who are in the thick of a land feud between settlers and cattle ranch boss Ryker (Emile Meyer) and his posse. Shane is never fully accepted by the suspicious settlers. Still, he stays with the Starretts, partially because of friendship with their little boy Joey (Brandon de Wilde) who idolizes him. There's also a developing love triangle with gun-loathing Mrs. Starrett (Jean Arthur) and a rivalry with her husband Joe Starrett (Van Helfin). Shane is obviously a veteran gunfighter and, to the farmers, no better than the thugs on Ryker's payroll, even as he (reluctantly) straps on his six-guns to defend against the villains. You'd think the settlers would be grateful, but (except for Joey) they aren't. Ryker eventually tries to negotiate a peace with Starrett, and the range boss has got a surprisingly strong argument that suddenly makes the farmers seem slightly less like poor victims and more stubborn and selfish.

Is it any good?

5
A classic Western, Shane is based on a novel that's widely assigned in schools. This is a morally complex Western (not just white hats and black hats) that can play well for both the action fans and families seeking serious drama. Even though Westerns in general are nowhere near as popular and plentiful as they were in times past, this one is a must-see.

Shane functions on multiple levels for young viewers and parents, addressing questions of youthful idol-worship, adult redemption, the uses of violence, forbidden attraction, and people forced to live out unpopular roles against their wills.

Other choices

High Noon

The Gunfighter
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