Vicky Cristina Barcelona (PG-13)
Smart, mature film about love, lust, and more.
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- Studio: The Weinstein Co.
- Directed By: Woody Allen
- Cast: Penélope Cruz, Scarlett Johansson, Javier Bardem
- Running Time: 97 minutes
- Release Date: 08/14/2008
- Genre: Comedy
- MPAA Rating: PG-13
- MPAA Explanation: mature thematic material involving sexuality, and smoking.
Parents need to know
Families can talk about the film's take on relationships -- both between friends and between lovers. Do you think the characters' relationships are realistic? What makes Vicky and Cristina such good friends? How is their friendship tested by Juan Antonio? Fans of Woody Allen can also discuss how this movie compares to his other films. What do his movies tend to have in common?
Message
Social Behavior:
An engaged woman cheats on her fiancé and later, after they're married, considers doing it again. Another married woman fantasizes about trysting with other men and is caught kissing someone besides her husband. Lovers lie to each other and play games, though for the most part the lead characters are quite accepting of on another's needs and take great care to examine their lives and compulsions. The main relationships are actually quite loving and giving.
Consumerism:
Drugs/Alcohol/Tobacco:
Lots of social drinking. Some smoking.
Violence
A tempestuous woman fires shots at her ex-lover and hurts someone in the process; they also quarrel loudly, sometimes throwing things around. There's talk of how she tries to kill herself.
Sex
Couples (men and women, women and women) kiss passionately. Lovers are shown making love, though no genitals are seen; post-sex, they're shown naked from the upper chest up, the rest covered by sheets. Lots of frank talk about sex, including discussions about threesomes. In a few scenes, a man and two women kiss and embrace.
Language
A few uses of "s--t."
Common Sense says
What's the story?
Reviewed by S. Jhoanna Robledo
Is it any good?
Though there are a few exceptions: Using yet another voiceover narrator creates distance when none is needed. It's also distracting. And though Johansson is a sight to behold -- and is better here than in previous Allen outings -- she still seems to be approximating who her character is instead of inhabiting it. Some scenes also tend toward talky, which is typical of the director's work. But, oh, Penelope Cruz! Allen brings out the best in her and photographs her impeccably, too. She's rage-filled and troubled, wickedly funny, and breathtaking. In her, Allen has found a new muse. Now can he come back to New York and wield his camera once more?
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