| ON: Content is age-appropriate for kids this age. | |
| PAUSE: Know your child; some content may not be right for some kids. | |
| OFF: Not age-appropriate for kids this age. | |
| NOT FOR KIDS: Not appropriate for kids any age. |
Parents need to know that the protagonist is a devout bachelor, now middle-aged, who has left behind many women. Characters use curse words (mostly in conversation, and at the end, during a fight), smoke, drink, and use drugs (as well as slang for drugs, especially marijuana). Stereotypical bikers briefly assault Don at the end, leaving him bloodied and unconscious. The film includes sexual imagery (a post-sex morning awakening, an adolescent girl nude [not explicit] and in her underwear) and references (to past relationships).
BROKEN FLOWERS follows aging lothario Don Johnston (Bill Murray) as he comes to terms with his life and likely legacy. A technophobe millionaire, Don is more a vacancy than an emotional center. He first appears seated on his sofa, watching Douglas Fairbanks in The Private Life of Don Juan, as his girlfriend Sherry (Julie Delpy) leaves in a huff. But then he gets a letter, on pink stationery, with no return address or signature, saying he has a 19-year-old son who may or may not be coming to look for him. He's prodded by his next-door neighbor, Winston (Jeffrey Wright), devotee of detective stories and the internet, who takes up the case as one to be solved. Based on a brief list of Don's old girlfriends' names and long-ago addresses, Winston arranges flights, motels, and rental cars, hands his friend an itinerary, and sends him forth to discover his progeny.
Organized into a series of vignettes, Jim Jarmusch's minimalist melodrama doesn't build a narrative so much as it deconstructs the idea of narrative, as well as the sense that a life leads to clear resolution. Don might be indifferent, pained, even remorseful about his serial abandonments, but it remains hard to tell.
Families can talk about the combination of regret and curiosity that motivates Don's effort to find his son. How does the film suggest that his self-understanding as a "Don Juan" is necessarily changing as he grows older? How does each woman reflect a different aspect of his personality and the variety of his desires? How do their fates suggest alternatives to his own? (In particular, how does the "animal communicator"'s desire to keep her dead dog with her in spirit a means to put off or deny death?) How does looking back on life provoke remorse or desire for change?
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| Studio: | Focus Features |
| Director: | Jim Jarmusch |
| Cast: | Bill Murray, Julie Delpy, Sharon Stone |
| Genre: | Drama |
| Run time: | 105 minutes |
| Theatrical release date: | August 4, 2005 |
| DVD release date: | January 3, 2006 |
| MPAA rating: | R |
| MPAA explanation: | language, some graphic nudity and brief drug use |