DOUBLE INDEMNITY has all the hallmarks of film noir – it's a moody, pessimistic crime story with strong overtones of spiritual bankruptcy and moral cynicism. The best of film noir sizzles with crackling, sardonic dialogue, veiled lust, terrific black-and-white photography, and overtones of impending doom. This is one of the best, all right, even if, like
Casablanca, it's practically all talk.
Even today, these characters' jaded attitudes toward taking a life is bracingly sinister; as if right and wrong don't matter in this milieu, only getting caught or getting away with it. Add to this lack of remorse themes of obsession and betrayal and the power of great film noir is revealed.