FUNNY FACE is a bubbly, brilliantly colored but rather superficial old-school Hollywood musical. Compared with the same director's earlier masterpiece
Singin' in the Rain it's a great-looking bonbon that leaves a sort of funny taste, if you ponder it too hard (which one shouldn't). The script takes satirical jabs at the fashion world's shallow superficiality, especially in the opening "Think Pink" song-and-dance number. But it also parodies the rebellion against 1950s consumer society embraced by the "beat generation," and their jazz tunes, coffeehouse concerts, and nonconformists.
So are the filmmakers in favor of anything? Yes, romance, and a very patriarchal one at that. Song-and-dance man Fred Astaire looks more like a dad than boyfriend to the magical Audrey Hepburn, and their romance feels like protective father-daughter stuff rather than real passion. None of these characters are given a history except Jo, a cloistered thinker meant to be an ugly-duckling (never mind the starlet's luminous looks). It's a little disconcerting the movie dismisses her deep thinking as a silly quirk, symbolized when Hepburn does weird, angular modern dance steps, in contrast to Astaire's graceful soft-shoe routines.