Helmed by French horror director
Alexandre Aja (
The Hills Have Eyes,
High Tension), MIRRORS is long on gore and short on plot, as Ben flails, freaks out, and fumbles around trying to decipher the visions and messages he's receiving from the mystical dimension behind the mirrors. (The department store, it seems, used to be a hospital, and the past treatment of a schizophrenic girl lies at the heart of the mystery.)
Even as Ben frantically tries to keep his estranged wife (Paula Patton) and children safe, Mirrors doesn't do much to make viewers care; the mirror visions are so powerful that they can't be ignored or denied, which means that the film simply limps from one bloody sequence to another. Aja's other horror films, while also grisly, had a certain style to them; in Mirrors, the slack plot is just an excuse for a series of gory, violent moments that the film lingers on lovingly. Mirrors has plenty of spooks and scares and special effects; what it doesn't have is much of a plot -- or characters worth caring about.