Parents' Guide to Rear Window

Movie PG 1954 112 minutes
Rear Window (1954) movie poster: James Stewart's face obscured behind a long-lens camera

Common Sense Media Review

Charles Cassady Jr. By Charles Cassady Jr. , based on child development research. How do we rate?

age 10+

Hitchcock's tense masterpiece explores privacy and paranoia.

Parents Need to Know

Why Age 10+?

Any Positive Content?

Parent and Kid Reviews

age 10+

Based on 15 parent reviews

Parents say the movie is a visually stunning classic that's generally well-crafted and features some standout performances, particularly by Thelma Ritter. However, its mature themes, including discussions of suicide and murder, suggest it might not be suitable for younger children, making it better suited for teens and adults.

  • visuals
  • mature themes
  • strong performances
  • not for kids
  • classic status
  • suspenseful moments
Summarized with AI

age 11+

Based on 42 kid reviews

Kids say this is a classic thriller that captivates viewers with its suspenseful storytelling and strong performances, particularly from its leads. Many recommend it for older children due to its darker themes involving murder and psychological tension, noting that while it can be scary at times, it's appropriate for a wide range of ages, depending on individual sensitivity to suspense.

  • suspenseful storytelling
  • great performances
  • recommend for older kids
  • darker themes
  • psychological tension
Summarized with AI

What's the Story?

In REAR WINDOW, Jeff (James Stewart), a photojournalist, is confined at home after breaking his leg while photographing a car race. Now he's recuperating in his Greenwich Village flat, getting occasional visits from his girlfriend, Lisa (Grace Kelly), and being looked after by a nurse, Stella (Thelma Ritter). Bored and equipped with an arsenal of binoculars and telephoto SLR lenses within easy reach, Jeff amuses himself by spying on his neighbors across the courtyard. At first it's funny to Jeff, seeing people dance and bicker and throw elegant parties. But then he becomes convinced that one of them, Lars (Raymond Burr), has just snapped and murdered his wife. But is Jeff right? And if so, how can he convince someone to do something about it?

Is It Any Good?

Our review:
Parents say ( 15 ):
Kids say ( 42 ):

The tension gets so exquisite in this film that viewers might not even realize that it never leaves Jeff's room. Whole college courses have centered around Rear Window, director Alfred Hitchcock's compact thriller. The perspective from Jeff's rear window into the windows of his neighbors is like looking into an array of TV screens or comic-strip panels, the little New York stories unfolding in each one, often simultaneously.

Throughout his career, Stewart played boyishly all-American good guys (Mr. Smith Goes to Washington, The Philadelphia Story). But Hitchcock especially liked to tap into an inner darkness by casting the wholesome actor. Jeff seems to enjoy being a Peeping Tom, and there's a question of whether his new pastime of voyeurism is a healthy one or not—never mind the crime-solving fringe benefits. Why does he relish looking at strangers while avoiding intimacy with his own girlfriend, Lisa? And what does that make us, the audience, as we watch Jeff in return?

Talk to Your Kids About ...

  • Families can talk about how Rear Window shows urban life. What does it say about people living on top of one another in high-rises, yet remaining strangers? Does it encourage getting to know your neighbors?

  • How do you feel about Jeff watching his neighbors through binoculars and a long-lens camera? Is he invading their privacy? Or is it harmless?

  • Do you consider Lisa and Stella to be positive role models? How does Jeff treat them? Is that fair? Does the film use stereotypical gender roles? Why are gender stereotypes so damaging?

  • Do you consider Jeff a role model in Rear Window? Is he curious, or nosy? Why is curiosity an important character strength?

Movie Details

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Rear Window (1954) movie poster: James Stewart's face obscured behind a long-lens camera

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