Reportedly the most expensive Japanese-animated cartoon yet made,
Steamboy takes place in Charles Dickens' time but is as full of incredible gadgets as any science-fiction epic. This retro-futurist Victorian action movie is like Jules Verne on steroids, with wondrous Industrial-Revolution machinery grown to Tokyo-stomping heights and visually realized by star animator Katsuhiro Otomo. His sci-fi epic
Akira, back in 1989, opened the floodgates for Japanese animation in US theaters. Earlier it had been restricted to home-video imports, syndicated TV, and bootlegs.
Akira's sprawling cityscapes and intrigues deserved the biggest screens it could get. But
Akira was also dark, violent, and pessimistic.
Steamboy is similarly visionary but a little more family-friendly. It's a pretty noisy spectacle, but you can lose yourself in Otomo's sumptuous designs, cathedrals of gears, cogs, screws, flywheels, and pulleys. And this is a too-rare case in movie science-fiction where the special effects make a viewer think, about the onslaught of technology, about where human progress is going, and where it's been.