Trouble with the Curve

  • Review Date: September 18, 2012
  • PG-13
  • Genre: Drama
  • 2012
 Review

Common Sense Media says

Teen-friendly baseball drama raises father-daughter issues.
greenON: Content is age-appropriate for kids this age.
yellowPAUSE: Know your child; some content
may not be right for some kids.
redOFF: Not age-appropriate for kids this age.
not for kidsNOT FOR KIDS: Not appropriate for kids any age.

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Quality
 
Sometimes media can be age appropriate but a real waste of time. Our star rating assesses the media's overall quality.

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Parents say

Kids say

What parents need to know

Parents need to know that Trouble with the Curve -- a carefully rendered portrait of a baseball scout (Clint Eastwood) facing the possible end of his career -- pulls no punches in portraying what life on the road can do to a father and his daughter. Expect some intense conversation about past disappointments and tragedies, as well as lots of beer drinking, some profanity (including one "f--k," "s--t," and "bitch"), kissing/flirting, and one intense fight. Teen baseball fans may enjoy this behind-the-scenes look at talent scouting, but the themes are likely to resonate most with adults.

  • Several worthwhile messages. For example: You can rely all you want on gadgets and technology, but nothing can replace wisdom acquired with experience and acumen. Also, parent-child relationships can be a minefield of disappointments and triumphs, but forgiveness and communication can help you create a new bond in adulthood. Also, find work you love, and passion will always be a part of your work.
  • Gus is crotchety and difficult, but he's dedicated to his craft and loves his daughter fiercely, even if he doesn't often show it in ways she can decipher. Mickey can be withholding and impatient, but she's also smart and successful, and she perseveres and rises above her resentments when her father's welfare is on the line. While she's portrayed as "emotionally unavailable" it's not because she's successful but more because of the abandonment issues she has from her father. Despite their dysfunctional relationship, Gus believes in her and is supportive of her ability to succeed in more "male" pursuits, whether it's becoming a partner in her law firm or becoming a sports agent.
  • A man breaks a beer bottle and uses it as a weapon against another patron at a bar; also, earlier in his life, he beat up another man due to a potential assault on a child, strangling him until he passed out.
  • Kissing and flirting; two adults take a dip in a lake in their skivvies. An early scene goes into detail of the effects of aging on a man's ability to pee.
  • One "f--k," plus fairly infrequent use of words including "s--t," "ass," "bitch," "crap," "douchebag," "hell," "damn," "crap," "goddamn," "oh my God," "suck," and "piss."
  • Products/labels shown include Schlitz, Pabst, Budweiser, Spam, Buick, Ford, Jack Daniels, Coca-Cola, Apple, Dell, Toshiba, and more.
  • Many scenes show adults drinking -- beer, whiskey, tequila -- sometimes to numb their pain. One character smokes a cigar.

What's the story?

Gus Lobel (Clint Eastwood) may just be the best scout that baseball's ever seen. He can tell whether a pitcher is golden by the sound that the ball makes when it hits a glove. He can tell whether a hitter is worth a contract by how his arm looks at rest. Consider him, if you will, the baseball player whisperer. Gus has worked for the Atlanta Braves for decades, but in life -- especially in fatherhood -- his batting average is in the dumps. His lawyer daughter, Mickey (Amy Adams), can't climb over the wall that's wedged between them, even though each has been all the other has had since Gus' wife died when Mickey was just 6. Meanwhile, the business of baseball is changing, and the Braves' management is under pressure to cave to the "modern" way of assessing picks: via computers and statistics. And it definitely doesn't help that Gus' eyes might be failing. Is this his last strike?


Is it any good?

 

The best baseball movies mimic the poetry and thoughtfulness of the game, mixing the thrill of a strike with the languor of waiting for the bases to be loaded. TROUBLE WITH THE CURVE hits these marks and then some, exploring not just the intricacies of the game -- why a drifting arm might spell doom, for instance -- but also those of a trenchant father-daughter relationship that deserves mending. Eastwood is (no surprise) pitch-perfect as curmudgeonly sage, but it's Adams who surprisingly, mightily stands up to the icon, mixing grit and vulnerability like a champ. Justin Timberlake shows up in a supporting romantic role, which, though inoffensive and even somewhat charming, seems unnecessary except to forward the plot.

The movie's flashbacks edge on stagey, and the most powerful moments are sometimes muted, which is a shame. But fans of the stars and the sport may be able to overlook these digressions. Trouble with the Curve is no home run, but it's on its game nonetheless.


Explore, discuss, enjoy

  • Families can talk about how the movie presents the central father-daughter relationship. Is it realistic? Understandable? How do Gus and Mickey compare to other movie fathers and daughters?

  • Is Gus a good father? What is the movie saying about fatherhood (and/or parenthood in general)?

  • Baseball movies often seem rife with life lessons. Why do you think that is? Do you have to be a baseball fan to enjoy a movie about it?


This review of Trouble with the Curve was written by
Parent of 4, 9, and 12 year old
September 24, 2012
 
Not Exactly a "Baseball Movie"
I pre-screened this movie because my 12 and 9 year old sons had heard quite of bit of advertising for it while listening to Atlanta Braves broadcasts. My suspicions of this not really being a "baseball movie" but instead a movie that roughly uses baseball as a backdrop for some heavy-theme drama were confirmed. Had I taken my sons, they would've likely been disappointed and would've probably felt a little fooled/mislead by the trailers and marketing. It is a little interesting to see a troubled father/daughter relationship play out in front of you, but it's the kind of thing a 30-year-old daughter (with years of life experience) can relate to (not a pre-teen or even a teen). And then (spoiler alert), the late-in-the-movie flashback introduction of Clint walking in on his daughter being sexually abused as the explanation for his lifelong behavior toward his daughter is a theme (while an important life theme) that would have further sullied my sons' movie experience. I'm fairly liberal when it comes my kids' exposures as long as an appropriate conversation precedes or follows them, but I just don't want other families to take their baseball-loving young kids to see this movie, only to walk out awkwardly saying, "Well, sorry Ricky, that wasn't exactly what we thought it was going to be, huh?"
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Kid, 12 years old
September 23, 2012
 
Trouble with the Curve: One of the BEST Baseball Movies Ever!!
This movie was great! It inst for younger kids though. There is A LOT of language and a brief intense fight scene and a couple makes out. A character smokes in almost every scene and characters drink in a few occasions. Overall this movie is DEFINITELY worth going to see!
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Adult
September 22, 2012
 
Clint Eastwood baseball drama is sentimental but satisfying
Robert Lorenz's Trouble with the Curve, is a soft spoken, reasonably pleasent, but not all that memorable, baseball movie, which just so happens to star Clint Eastwood in his first role since 2008's excellent Gran Torino. Now, the first thing that you may find yourself asking is, is this film as good as Gran Torino? Not if it's life depended on it. But, I don't think that ithat s a very fair movie to compare this one to, because Trouble with the Curve is a sweet drama about an aging baseball scout (Clint Eastwood), who, finding himself becoming more and more bitter, and losing his eyesight, is accompanied by his annoyed daughter (Amy Adams), on one last trip to scout out some new hopeful talent. Now, this film has an excellent cast. Of course, there is Clint Eastwood, and the obviously previously mentioned Amy Adams in the role of his daughter, but the cast also contains such familiar faces such as John Goodman, Justin Timberlake, Mathew Lilliard and Robert Patrick, who are all very good. In fact, there really isn`t a bad performance in this whole movie. But, where the movie fails, is in a rather delicate area: The fact that it is not very memorable, and that it is virtually just one long walking series of long-ago recycled cliches, with actors spouting out tired lines, even if they do the absolute best they can, and, with singular plot points coinciding, including a flashback scene to Amy Adam`s characters childhood, it all just feel like we have seen this in so many other dramas. And yet, despite the fact that you would probably expect to be watching this movie with the stail eroma of ancient-used drama cliches, the movie still manages to keep a fresh face, none the less, and it is definitely one of the most comfortable and easy movies to watch, making it one of the more pleasant movies to come around in some time. Still, the movie is Rated PG-13 for a reason, and the following content is pretty much as follows, so, here we go: There is not much in the way of violence in this film, but there are two scenes that stick out. Both of which are scenes of Eastwoods character defending his daughter, with the first one o him attacking a drunk bar-goer with a broken beer bottle after he tires to hit on her, and later, a rather disturbing and upsetting scene where he brutally beats (although mostly unseen) an implied child molestor half to death in a shed. Also, there is frequent sexual references, whicha re mostly in the form of crude dialoge, which some lines being so graphic that practically no childrne in the audience we even be able to understand them in the first place. Also, there is frequent alchol consumption,. and about sixty-five percent of the movie takes place in stuffy bars, where there is moderate drinking of alcohol, occassionally to the excess. And, finally, the mainr eason why the film gets a PG-13 Rating in the first place is mainly becuase of the frequent and mdoerate profanity, which include one very powerful and memorable use of f--k, but there are also many uses of sh-t, cr-p, d-mn, g-dd-mn, a--, a--h-le, d-ck, b-tch and more. So, in the end, Trouble with the Curve is a fairly enjoyable and pleasant baseball drama, but, considering the fact that Clint Eastwood is involved, you just think that it would be so much more memorable than it actually is. Reccomended.
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Teen, 17 years old
September 28, 2012
 
"ok" baseball flick
This movie was just "ok." as far as baseball movies go, last years moneyball was a lot better. the main issue for families is the language, which is almost constantly spewing from Eastwood's mouth. the words he uses are fairly mild, but the the frequency of it should give parents pause.
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Teen, 17 years old
September 30, 2012
 
No "Trouble with the Curve"!
Very good movie. Love Eastwood and Adams so I knew I had to see it! Fine for most teens.
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Teen, 13 years old
October 28, 2012
 
Slow Movie at the Start Turns Out to be Pretty Good
Even though I think last year's Moneyball was a whole lot better, Trouble with the Curve is still great, but some parts may be slow and might bore younger kids. Trouble with the Curve tells the story of Gus Lobel (Clint Eastwood), an old baseball scout and his daughter Mickey (Amy Adams), a lawyer. Since Gus is old, Mickey leaves her job to help him scout out a high school baseball player. The adventure turns in to a Father-Daughter bonding experience for both of them, Mickey didn't get to see Gus that much as a kid. Will the show go on for Gus? Or will this be his last scouting trip he ever takes?
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Parent
October 28, 2012
 
Trouble With The Curve (2012) Review by Shivom Oza – No Troubles With The Film Though!
An ageing baseball scout, Gus Lobel (Clint Eastwood), is struggling to retain his position in his organization. His daughter Mickey (Amy Adams), who holds a grudge against her father for bailing on her during childhood, joins him on a trip to North Carolina where Gus is scouting for new talent. It’s a ‘slice-of-life’ film. The father-daughter relationship, the budding romance between Amy Adams and Justin Timberlake and the self-discovery phase that all the three principal characters go through, makes ‘Trouble With The Curve’ a compelling watch. Gus Lobel (Clint Eastwood) is an ageing baseball scout, who is losing his vision, struggling to keep his place in his organization. His superior Pete Klein (John Goodman), who does not want Gus to go away, asks Gus’ daughter Mickey (Amy Adams) to accompany him on a trip of North Carolina to make sure that he is fine. Mickey doesn’t get along with her father, as the latter had left her post his separation with her mother. However, despite the false start, Mickey and Gus reconnect with each other and start sharing their life’s problems. Mickey has her own grievances at her workplace where she has been recently appointed as a partner. Here, the father-daughter duo meets Johnny Flanagan (Justin Timberlake), a rival team’s scout who was once scouted by Gus when he was a player. The story revolves around these three self-respecting, imperfect and gifted individuals. The film has a ‘slice-of-life’ story. The actors, Eastwood, Adams and Timberlake, deliver fine performances. Their characters were very real, very human, and thus, so full of infirmities. Gus’ drive to prove his worth despite losing his vision, Mickey holding on to her father despite losing a golden professional opportunity and Johnny trying his very best to look for someone who wouldn’t waste his talent like he himself did when he was a player, makes the film very endearing. Quite a few ‘little moments’ stand out in the 2-hour-film. Gus’ final call of reckoning, Mickey’s coming-of-age when she manages to hunt down a world-class pitcher, Johnny’s rage when he is discouraged by Gus from picking a much-talked-about player, Baseball conversations between Mickey and Johnny, the romantic equation between the two and many more. The understated performances and subtle dialogues make this film very relatable to audiences across the globe. The screenplay is a bit long than one would have liked, but the film does end on high! Writer Randy Brown has written a fine, albeit simplistic, story that really strikes a chord with the viewer. There is not much of ‘sports’ per se in the film. Luckily, there’s not much baseball ‘jargon’ in the film. So, even those who do not follow the game will not feel lost while watching the film. ‘Trouble With The Curve’ is based on relationships and ambition. A finely made film that leaves you a bit overwhelmed. Shivom Oza
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Teen, 16 years old
January 11, 2013
 
Excellent movie, but a few innaproprite refrences.
Over all this movie was excellent! There was a few innaproprite refrences, but nothing a 13 year old or older could not handle. Depending on how mature they are I would say its fine for an 11 year old to watch.
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Parent
January 24, 2013
 
Great!
A very good movie, mixed with heart, but lots of language and drinking. Amy Adams, and Clint Eastwood star in this wonderful uplifting drama. however it is not a baseball film, even if contains baseball in its plotline. it more focuses on the relationship of father and daughter, and fixing it, before its ruined forever. lots of language, lots of b*****, one F bomb, lots of s***, d***, ect. not much violence, one scene where Clint breaks a beer bottle and uses it as a weapon. not much sexual content, but lots of drinking and smoking. My MPAA Rating is: PG-13 For language, and brief sexual situations. i suggest 14 and up can see this.
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This review of Trouble with the Curve was written by
Topics:sports and martial arts, great girl role models
Studio:Warner Bros.
Director:Robert Lorenz
Cast:Amy Adams, Clint Eastwood, John Goodman, Justin Timberlake
Genre:Drama
Run time:111 minutes
Theatrical release date:September 21, 2012
DVD release date:December 18, 2012
MPAA rating:PG-13
MPAA explanation:language, sexual references, some thematic material and smoking

This review of Trouble with the Curve was written by
 

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