Tsotsi (R, 2006)

common sense media says

Affecting tale of a street hoodlum's evolution.


parents & educators say

What parents need to know

Parents need to know that this movie shows kids and young people living on the streets and in poverty in South Africa, with scenes showing harsh violence (stabbing, shooting, beating), drinking and drug use, the accidental kidnapping of a baby during a carjacking, posters warning against AIDS, and the parents' subsequent distress. The focus is on a young hoodlum, whose initial inability to cope with the infant's needs leads to terrible mistakes (the baby is covered with ants and filth, cries, needs food). He holds a gun on a young woman to force her to breastfeed the baby; he beats one friend and regrets it; he kills another in order to stop more violence.

Positive messages: Characters are thieves and brutes by socialization; they lie, steal, and commit violence; one is redeemed when he learns to give up his needs for a baby's.
Violence: A disturbingly slow and quiet assault with an ice pick; brutal beating that leaves victim's face a bloody pulp; carjacking that leaves woman driver beaten and horrified.
Sex: Woman nurses a child with her breast partially exposed.
Language: Profanity in subtitles (f-word included).
Consumerism: Not applicable.
Drinking, drugs, & smoking: Characters drink (some drunken behavior by 18- and 19-year-olds), smoke cigarettes, and take drugs.

More on Tsotsi

What to talk about

Talk to your kids
Families can talk about Tsotsi's transformation, from tough-fronting street gangster to vulnerable, generous young man. How does the movie show how he became so callous, with flashbacks to his mother's illness and death, his father's abuse, and Tsotsi's subsequent lack of a home and stability? How do you come to understand the reasons for his cruelty, even as you hope he changes his attitude? How does the baby's helplessness affect Tsotsi's necessary focus on his own survival, before all else? How does the young mother help him to change his mind-set?

What's the story?

What's the story?
Set in Soweto, South Africa, this Oscar-winner centers on 19-year-old Tsotsi (Presley Chweneyagae) who deals drugs, steals, and scavenges to get by. After he and his crew commit a robbery and murder, Tsotsi gets into a brutal fight with one of his friends, then runs off and carjacks a BMW only to discover an infant in the back seat. Abruptly, Tsotsi has new options. He decides to keep the baby, leave the car, and head home. He cares for the infant, but leaves it in a bag under his bed while he goes out cruising for new trouble. When he returns to find the filthy baby covered in ants, Tsotsi sees himself in the infant, underlined by flashbacks to his tragic childhood. Tsotsi forces a new mother to breastfeed his new charge, then tries to give the baby away to homeless children on the outskirts of town, where he used to live. As he holds out the baby in a bag, this next scrawny generation stares at Tsotsi as if he's crazy. They can't imagine caring for anyone else, just as he can't. At last, he does figure out a decent way to cope; he finds himself, after an impossibly hard life.

Is it any good?

Is it any good?
 
Last year's Oscar winner for Best Foreign Film, TSOTSI is a brutal, affecting film about a young man's turn from violence to almost incomprehensible generosity. Gavin Hood's film takes place in a harsh, amorphous now -- the presence of AIDS marks a change from the film's source, Athol Fugard's novel, which was set in the 1950s (published in 1980). This shift underlines the persistence of risks in the South African townships: the particular danger may shift, but hopelessness and fury go on.

Movie themes & details

Movie Details
Studio: Miramax
Director: Gavin Hood
Cast: Kenneth Nkosi, Presley Chweneyagae, Terry Pheto
Genre: Drama
Run time: 94 minutes
Theatrical release: March 24, 2006
DVD release: July 18, 2006
MPAA Rating: R
MPAA explanation: for language and some strong violent content.

This review was written by Cynthia Fuchs
 
 

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Excellent
There is a reason this movie won Best Foreign Film (though I do still think Joyeux Noel should have won-- but this is still an amazing film).

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