But what begins as a promising action thriller with the gripping real-time suspense of
24 and the fast-editing style of the last two
Bourne films starts turning into an odd
Groundhog Day gimmick by the third POV change. After a while, viewers will probably start laughing at the concept. Instead of changing the perspective seamlessly, Travis shows the scenes rewinding (ala a DVR being used to return to the beginning of an important sequence) over and over again. By the time Whitaker's tourist begins running around Salamanca like a deputized Secret Service Agent, the movie is officially annoying. But at least Whitaker's Spanish -- as a tourist! -- is better than
Matthew Fox's and Israeli actress Ayelet Zurer's, both of whom are supposedly fluent or native speakers.
Travis is obviously a fan (and friend) of filmmaker Paul Greengrass, who wrote and produced a TV movie that Travis directed in 2006. But where Greengrass' documentary approach in movies like Bloody Sunday draws viewers into the action, Travis' attempt alienates audiences, who will tire of seeing the same 25 minutes and want to hit an invisible fast-forward button to get to the film's outcome.