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The Twilight Zone - TV-PG

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5 stars

Classic morality tales still make you think.

TV Rating: TV-PG Network: SciFi, Syndicated Cast: Rod Serling Genre: Science Fiction
Available on: DVDDownload

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Common Sense Note

Parents need to know that it might be hard to get kids to sit through episodes of this classic TV show. The complex, thoughtful scripts require viewers to pay attention, the pacing is much slower than just about anything on the air today (even some adults who enjoyed the show when it originally aired say that it sometimes seems sluggish by current standards), and there are rarely any big action sequences. To top it off, the show was shot in black and white. But if you can convince your kids to follow an entire episode (and you usually have to watch the whole thing to really get the point), they should find themselves pleasantly surprised by how much they enjoyed it. Bottom line? It's a classic for a reason.

Families can talk about ... just about anything. This series is famous for its unexpected twists, which are ready-made for discussions about who saw it coming, who was completely surprised, and how the story made viewers see things from a totally different perspective. The episodes are all different, but many center on common themes, such as selfish people finally getting what they deserve, or the unexpected rewards of doing the right thing. Did the characters merit their punishments? Why or why not? What might you have done in a similar situation? What point is the show trying to make?

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Common Sense Review

Reviewed By: Will Wade

Anything can happen in THE TWILIGHT ZONE. People may actually be aliens, and the characters you thought were aliens may turn out to be human. Beautiful people turn out to be ugly, and the characters you're sure are crazy turn out to be the only ones who actually know what's going on.

That was the whole point of this groundbreaking TV show, which debuted in 1959 and is still entertaining -- and relevant -- today. The creation of legendary writer Rod Serling, who also introduced every episode, The Twilight Zone was designed to tweak viewers' notions of reality and present issues from a new, and usually unexpected, perspective.

Because each episode was entirely self-contained, these 30-minute morality plays covered an amazing amount of ground. Some were set in the past, some in the future, some in space, some in the then-contemporary era of the late 1950s and early 1960s. But all of them ended with a surprising twist that always managed to shed some light on the human condition.

And despite passing the five-decade mark, these stories have aged surprisingly well. Mention The Twilight Zone to anyone who grew up in that period, and they'll happily reminisce about their favorite episodes (everybody has a few). And thanks to frequent reruns and marathons (not to mention DVD releases), it's hard to grow up without being exposed to The Twilight Zone at some point.

That said, today's kids may be put off by the show's black-and-white images, outdated clothes, and rather straight-laced moral conventions. And anyone used to the fast-paced editing of modern action shows or music videos may find The Twilight Zone's pacing overly slow.

But don't mistake any of these quibbles for flaws; this show is a true classic, and it deserves to be appreciated by each new generation of viewers. Once your kids watch a few episodes (it should only take a few), they'll be hooked. An added bonus are the guest appearances by many young actors who later became major stars, including Robert Redford, William Shatner, Martin Landau, and others.

The Twilight Zone spawned an entire genre of imitators (as well as updated versions of the series). Fans will probably enjoy Serling's creepier follow-up series from the 1970s, Rod Serling's Night Gallery, as well as The Outer Limits (both the original series and the contemporary version), Steven Spielberg's Amazing Stories, and possibly The X-Files.

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Content
CS adults kids

Sexual Content

Some characters have relationships, but all are very chaste.

Violence

Most episodes are very eerie, and some are scary, but there's very little actual violence. The occasional fistfights and shoot-outs that do happen are all tame by today's standards. Violence really isn't the point here; creepiness is.

Language

Message

 

Social Behavior

Though the tales in this anthology series are all different, many focus on mean, selfish, or generally despicable people getting their comeuppance.

 

Commercialism

 

Drug/Alcohol/Tobacco

Some characters smoke and drink, but rarely to excess.

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