The judgmental/instructional killer was introduced in the very low-budget
Saw, in which Jigsaw's victims were locked in a basement for 90 minutes, the limits of space and time showing the ingenuity of young Australian filmmakers
James Wan and Leigh Wannell. Since then, the murderous schemes and devices have been elaborated upon, and Jigsaw granted more history (this time he even gets a lost love, sunny and blond). For fans of the franchise, the expansion is both good (more of the same) and bad (obscuring the initial, strangely elegant simplicity).
Saw III offers more of the torture and suffering audiences have come to expect from the bloody series. Though its script is slightly more sophisticated than either of its predecessors -- Saw and Saw II -- its concept is the same. Darren Lynn Bousman's film is bursting with graphic, sometimes stomach-turning images of gore and suffering. But it also threads through a series of plot twists that pay off -- sometimes cleverly, usually predictably.