Parents' Guide to

Texting the Underworld

By Darienne Stewart, Common Sense Media Reviewer

age 10+

Thoughtful, funny ghost story has haunting effect.

Book Ellen Booraem Fantasy 2013
Texting the Underworld Poster Image

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What you will—and won't—find in this book.

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What's the Story?

Spiders are scary enough for 12-year-old Conor. When a banshee named Ashling takes up residence in his game cupboard, awaiting the right time to keen for the death of someone in his family, Conor nearly loses it completely. The worst part is he doesn't know whose death is near. It could be his parents, his superstitious grandfather, his annoying sister, Glennie -- even himself. Waiting is driving him mad, and it doesn't help that Ashling, who died as a girl from an ax blow to the head 1,600 years ago, has begun tagging along to school with him. Conor's grandfather wants to volunteer as the death Ashling needs to be able to move on in the afterlife. Conor finds himself in the unlikely role of a hero traveling to the Other Land in a bid to change his family's fate.
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Is It Any Good?

Our review:
Parents say: Not yet rated
Kids say: Not yet rated
TEXTING THE UNDERWORLD at first seems like just another ghost story, but its relatable characters and good humor quickly sneak up on you. Author Ellen Booraem sets her story in Boston's traditionally Irish Southie neighborhood, a fitting backdrop for the Old World-New World and intergenerational conflicts in the O'Neill family. Conor's mischievous, not-especially-responsible grandfather is a gem. Conor emerges as an everyday hero, rising to do the right thing in the hour of need. There are no easy choices in this tale, much as in real life.
Booraem borrows elements from several ancient religions to stitch together a unique view of death and reincarnation. It's fascinating to contemplate and an interesting jumping-off point for further exploration of how different cultures view the end -- and beginning -- of life.

Talk to Your Kids About ...

  • Families can talk about the religious and mythological figures converging in the Other Land. What do you think of the way the author reconciles these diverse beliefs about death, and what happens after death?
  • Even the beings supervising the activities in the Other Land don't understand life and death and seek to understand it better. Why do you think the author chose to make these characters fallible, like humans, rather than all-knowing and understanding?
  • Conor's cell phone fascinates the denizens of the underworld. Do you like the way technology is woven into the ancient systems of the Other Land?

Book Details

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