A Lot or a Little?
What you will—and won't—find in this movie.
A strong love for literature and art runs through; viewers may learn much about spotlighted writers, their history, the time periods they wrote in. As Carla says, artists like Hurston and Wilson "wrote about people that nobody cared about. They looked at these people and turned them into symbols of the American dream and nightmare." Perseverance and integrity are visible in messages about speaking your truth, enduring despite difficulties.
Positive Role Models
A diverse group of classmates has a passionate discussion; many different points of view are presented impartially, with no real heroes or villains. Characters are diverse in terms of race, gender, ethnicity, country of origin, socioeconomic status, and age; all are given moments of dignity, honesty. Teacher Carla is thoughtful and encouraging, urging students to "go deeper" with their analyses and find support for their thoughts in the texts they're reading. She urges Mike to seek therapy to reconcile his past trauma and have a better chance at future success: "Do you think you're going to be embraced by this culture because you're educated?" she asks him.
Violence & Scariness
The only moment of actual violence occurs when Carla smacks Mike playfully on the back of the neck when he won't follow her instructions. But movie opens and closes with news footage audio about police shooting that includes a woman screaming and gunshots. Mike talks about several family members killed despite being "bystanders"; he also talks about his 9-year-old brother dying in his arms. Another classmate relates an incident in which his mother slashed his back with a knife. Mike is arrested in connection with a sexual assault; not much is said about what happened, but a young woman cries and apologizes for falsely accusing him.
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Sex, Romance & Nudity
Sexual visuals are confined to a gentle kiss between Mike and a classmate, but in one scene, a man says a woman smells "like lesbian sex," and she briefly discusses a woman she's having an affair with. The sexuality of writers like Zora Neale Hurston and James Baldwin is briefly addressed. Carla tells Mike that he wouldn't get in trouble (i.e., wouldn't have been arrested) if he would "stay away from them White girls," implying that he's somehow responsible for his own plight because, as a Black man, he dated or considered dating a White woman.
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Expect to hear "f--k," "s--t," "son of a bitch," "hell," "a--hole," "d--k," and "p---y." Racist and sexual language are also present: Mike is called a "degree negro" (i.e., a Black man who's going to college) and the "N" word, and a Dominican man is called a "maricon" (Spanish slang for a gay man).
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Drinking, Drugs & Smoking
Classmates smoke prominently during a class break; one character describes how his mom became a heavy drinker and eventually drank herself to death.
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Parents Need to Know
Parents need to know that 1 Angry Black Man focuses on Mike (Keith Stone), a college student whose unjust arrest sparks a righteous anger that he brings with him to a classroom discussion in his African American literature course. Writer-director Menelek Lumumba clearly loves literature: The characters engage in a deep, thoughtful discussion about the works of Zora Neale Hurston, Ta-Nehisi Coates, August Wilson, and James Baldwin. They also talk about their own backgrounds and experience, which brings with it most of the movie's mature content. Characters refer to violent events (Mike's 9-year-old brother died in his arms after a violent incident; another character's mother attacked him violently while drunk, leaving him scarred) and to their sexual and romantic lives (several characters talk about their own queerness and that of the authors they're studying). Mike's arrest has to do with a sexual assault; a classmate ultimately admits to making a false report, saying she was drunk, high, and embarrassed (viewers don't hear all the details of the incident). Two characters smoke during a class break, and a man teases a woman by saying she smells "like lesbian sex." The movie's cast is diverse in terms of race, gender, ethnicity, country of origin, socioeconomic status, and age; all are treated respectfully. Mike's professor, Carla (Daphne Danielle), is thoughtful and encouraging. She urges Mike to get therapy for his ongoing response to his traumatic past, and to give him strength for the battle to come as he graduates. In one curious moment, she seems to blame Mike for his own arrest, telling him he'd stay out of trouble if he stayed away from White women (his false accuser is White). Language is infrequent, but you can expect to hear "f--k," "s--t," "son of a bitch," "hell," "a--hole," "d--k," and "p---y," as well as racist and sexual slurs (the "N" word, "maricon"). To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
Lovely and dramatic, this small, quiet film illuminates both the life experiences of a small group of New England college students and the Black writers whose work allows them to connect. After a lifetime of traumatic experiences (Mike refers obliquely to his 9-year-old brother "dying in his arms" and the deaths of many other family members) followed by a stint at a plush university where he's felt marginalized and othered, Mike is understandably on edge after his arrest -- particularly since he's about to graduate into an uncertain future. In the literature class discussion where this movie spends most of its time, revolving around the table where students and teacher sit and talk, Mike simmers with justifiable fury.
But then all of the students are bringing their backgrounds and biases into the classroom with them. Kyle (William W. Wallace), whom Carla calls the "token Republican" of the class, uses points from Hurston's Their Eyes Were Watching God to needle his classmates about free speech and liberal hypocrisy. Ellen (Elizabeth Saunders) admits that her primary reaction to reading Black literature is to worry about her biracial son and how harsh the world can be to "little brown boys." The film sags a bit when the students devolve into theoretical discussions about feminism, conservatism, and being triggered. But it soars each time we return to the literary works the students are discussing and we learn how what they've read makes an impact on their real lives. Eddie (Ramon Nuñez) apologizes for "getting heavy" by relating a terrible incident that involved his mom and a knife, but there's "just so much honesty in the material, I'm learning not to carry all that stuff around." As a beautiful example of how art can help people feel their feelings and find each other, 1 Angry Black Man is unique and powerful.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.