Common Sense Media Review
Wrongly convicted ex-con struggles to start over; language.
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Abandoned Man
What's the Story?
When the police trace a car that has caused a fatal accident to the home of Fatih (Edip Tepeli), the family's drunk-driving older brother, the father offers up innocent 14-year-old Baran (Mert Ramazan Demir). He orders the boy to take the rap because he is a minor and will get out of prison quickly. Baran is the title's ABANDONED MAN and he spends 15 tortured years in a brutal institution where they beat him and possibly worse. When he gets out, he wants nothing from the guilt-ridden brother, who now has an unsympathetic wife, a nice apartment, and a sweet daughter named Lidya (Ada Erma). While Baran—saddled with a prison record—struggles to find work, Fatih gets himself into more trouble. Baran must do his best to care for Lidya despite working two jobs and still being unhoused.
Is It Any Good?
Abandoned Man seems to have its heart in the right place, but the story is messy, alternately meandering, slow, and cliched. Little Lidya is the totally unbelievable dream child played with cloying sweetness and forced to utter things no child her age would ever say. The plot wanders to random montages of Lidya and her uncle bonding over magic tricks and walks in the park. We have seen all of this many times before. Much is made of an old Ford Mustang that no one can fix until car genius Baran gives it a go. He fixes it! A hard-bitten boss does no favors for anyone. Then suddenly he is a big sweetie. What a surprise! During Baran's night shift cleaning toilets, he is beaten, seemingly for no reason. How does this move the plot along in any helpful way?
The storytelling feels amateurish. Esat and Baran stand outside a building and Esat tells Baran, "You renovated this place in a month." Surely Baran already knows what he did, but the audience doesn't and the filmmakers choose the weakest possible way to tell us. Equally ineffective, the action whirls around aimlessly in quick cuts, from memories of a prison beating to a conversation about Lidya becoming a foster child to speeding recklessly in a heaving sportscar, as if the aggregate of these snippets will have some emotional punch. But it doesn't. It just feels sentimental and derivative, as if the director saw this ploy work in some other film and thought she'd give it a shot in hers.
Talk to Your Kids About ...
Families can talk about how cruel it would be for a parent to send a young boy to prison for something another child had done. Does that seem believable?
It seems Baran can't forgive his brother for allowing him to go to prison in the brother's place. Do you think you could forgive someone in similar circumstances? Why or why not?
How does the movie show the difficulties of the poor? What were some things working against Baran in his effort to restart his life, beyond his status as an ex-con and his lack of education? What do you think can be done to help people in his situation?
Movie Details
- On DVD or streaming : August 22, 2025
- Cast : Mert Ramazan Demir , Ada Erma , Rahimcan Kapkap
- Director : Cagri Vila Lostuvali
- Inclusion Information : Female Movie Director(s) , Female Movie Actor(s) , Female Movie Writer(s)
- Studio : Netflix
- Genre : Drama
- Run time : 91 minutes
- MPAA rating :
- Last updated : August 31, 2025
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