Parents' Guide to Aileen Wuornos: American Boogeywoman

Movie R 2021 85 minutes
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Common Sense Media Review

Brian Costello By Brian Costello , based on child development research. How do we rate?

age 17+

Sexual violence, murder in terrible serial killer thriller.

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Parent and Kid Reviews

What's the Story?

In AILEEN WUORNOS: AMERICAN BOOGEYWOMAN, it's the summer of '76, and Aileen "Lee" Wuornos (Peyton List) is a young prostitute turning tricks in Volusia County, Florida. After fighting back against an overly aggressive john in a pickup truck, Wuornos takes a walk on the beach as the fireworks explode overhead, and meets Jennifer, who invites Wuornos to hang out with her friends. Wuornos agrees, but ends up having to fight off Grady, an overly aggressive and doltish younger brother of Jennifer's boyfriend Mitch. After fending off Grady, Jennifer, impressed at Wuornos's skills in self-defense, invites Wuornos to stay at her house. With nowhere else to go, Wuornos agrees. The next morning, Wuornos meets Jennifer's father Lewis (Tobin Bell), a wealthy man and yacht commodore. While Lewis continues to mourn the recent passing of his wife, he's taken by Wuornos's flirtations. After coming home one night, Jennifer and Mitch walk in on Lewis and Wuornos having sex. Shocking Lewis' friends and family, Lewis and Wuornos are soon married. That night, Wuornos celebrates by stealing Lewis' wallet, going to a bar, getting drunk and snorting cocaine, and then fighting off an attempted rape before she's arrested for stabbing the assailant. No longer friends, Jennifer distrusts Wuornos's motives, and Lewis' accountant and good friend Victor decides to find out who Wuornos really is. As Wuornos's behavior grows increasingly erratic and violent, Jennifer catches Wuornos writing a check to herself on her dad's checkbook. Now, Victor and Jennifer must try to stop Wuornos from robbing Lewis blind, and stopping her before her violent inclinations lead to murder.

Is It Any Good?

Our review:
Parents say : Not yet rated
Kids say : Not yet rated

This is a terrible movie that didn't need to be made. It has some surprising "facts" that may be unknown to some viewers. Among other things, Aileen Wuornos: American Boogeywoman teaches the viewer that there are mountain ranges in Florida, easily viewed from a yacht while sailing on the Atlantic Ocean. By extension, there are also valleys, and diner waitresses make small talk about the weather in the valley where they live and work. For Floridians, this will be as shocking as anything else revealed in this movie, not because there are mountain ranges in Florida (spoiler: there aren't any mountain ranges in Florida, and no valleys in Volusia County, Florida), but because the rest of the movie is pure exploitative garbage. This particular movie's angle on the serial killer is to explore the short-lived marriage between Wuornos and a much older yacht commodore in the mid-1970s. Lines between fact and fiction are blurred under the premise of this being the last interview Wuornos conducts from prison before her death by lethal injection in 2002.

The "unreliable narrator" approach reduces this to a story not so much about Wuornos but about serial killers, and, by extension, it becomes another gross example of what amounts to serial killer porn. The acting is easily the best thing about this movie, but the story itself so clumsily handles the debate in the depictions of Wuornos as some kind of "outlaw of the patriarchy" or someone with sociopathic tendencies (or both) that the acting can't compete with how gratuitous everything else about this is. At the beginning of the movie, the filmmakers show their hand by presenting a quick montage of noir movies from the '40s centered on femme fatales, an attempt to place this movie in that tradition. It just isn't, no matter how "lurid" those movies may have also been viewed by some back in the day. Maybe it's time to stop it already with movies about serial killers: "American" or otherwise.

Talk to Your Kids About ...

  • Families can talk about serial killer true crime thrillers like Aileen Wuornos: American Boogeywoman. Why are movies like these made? Do they serve a positive purpose by telling these stories, or does it seem more like exploitative entertainment? Why?

  • What do the early and repeated scenes of sexual harassment and assault that Wuornos suffers seem to suggest about Wuornos' behavior? How is this suggestion contradicted later in the movie?

  • There are so many movies and basic cable "documentaries" about serial killers, mass murderers, dictators who killed millions etc. Why? Do they help our understanding of history, or do they seem more like attempts at cynical entertainment that plays to the lowest common denominator?

Movie Details

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