Aloha

That Cameron Crowe is a gifted director has never been under debate, but his gifts aren't on full display in Aloha. It's an interesting but muddled mix of romance, personal journey, marital strife, wartime reckoning, and environmentalism, all sprinkled with a hint of mystery and mysticism. In short, the film is confusing, and it feels a little manipulative, too. We sense that Crowe wants us to feel things, and we sort of want to, but it also feels a little forced. And tone-wise, the movie jumps around, alienating viewers. Just when we settle into the romance, the focus shifts to mysticism, and the two don't exactly feel connected.  

Aloha does work on the human level, especially when Gilcrest has to reckon with his ex. Cooper and McAdams bring humanity to their roles. But Stone, while she's still delightful (though it's worth noting that she plays a part-Asian, part-Hawaiian character, neither of which she is), seems to playing in a different key, turning in a performance that's a little too broad for such a personal movie.