Amour

This movie has complex moral layers that force viewers to consider very tough questions. Acclaimed German-born director Michael Haneke makes movies like a kid with a magnifying glass, tormenting ants; on the one hand, he's not safe, but on the other, he has a kind of disdain toward his viewers. His films are like a challenge to see how strong a viewer's constitution is. There's a certain chilliness in the air, and it often seems as if Haneke doesn't care about his characters as more than just moral experiments. (The title, AMOUR, which translates to "love," can be seen as both literal and ironic.)

As a result, some viewers may come away from the movie with their heads full of thoughts but their hearts largely untouched. Yet Amour is an exceedingly well-made movie, with excellent acting, and carefully chosen shots that emphasize the drama. Additionally, it's a rarity to see movies about older folks, and in that, the performances by these veteran actors are exemplary.