An American Carol

AN AMERICAN CAROL is an incredibly uneasy mix of broad, slapstick comedy and ham-handed political commentary. For example, a scene mourning the victims of 9-11 is followed within seconds by the film's lead character banging his head repeatedly on some church bells. And the film, directed by Airplane! helmer David Zucker, seems to know exactly how uneven it is, with the characters themselves commenting on unlikely and uneven moments -- like a musical number led by a group of academics commenting on the left-wing "bias" of academia. Star Farley, the brother of deceased funnyman Chris Farley, is a fairly shameless comedic performer, and he throws himself into his pratfalls and stunts with vigor, but he doesn't have the acting skill to make us believe in, or care about, his ultimate transformation.

The film's throw-it-all-at-the-wall-and-see-if-it-sticks methodology results in scenes like a visit to a parallel America in which the Civil War was never fought and slavery is still legal, with the massed slaves singing the traditional Hebrew folk song "Hava Nagilah." There are also jokes about suicide bombing, terrorism, and murder -- and the mix of violence and comedy is remarkably uncomfortable. The contrast is huge; the comedy payoff miniscule. Culminating in a stop-the-bombs finale at a Madison Square Garden concert for America's troops -- and in Malone's reformation from a documentarian responsible for films like Die, American Pigs! to a filmmaker interested in showcasing the greatness of America -- An American Carol has a definite position and point of view, but it doesn't have a lot of laughs.