Want more recommendations for your family?
Sign up for our weekly newsletter for entertainment inspiration
A Lot or a Little?
What you will—and won't—find in this movie.
Slavery depicted as horrifying, brutal, but any positive messages that could be imparted through the consequences of that suffering are muted or altogether absent. Movie seems more interested in depicting torture than in anything learned by those who are victimized. But thought-provoking moments connected to race and privilege may lead some viewers to question their presumptions.
Positive Role Models
People of color are at center of narrative, which is relatively rare in movies, even more so in horror movies. A powerful, resourceful, compassionate Black woman is the main character; she's ultimately able to change her terrible circumstances (she's brutally enslaved) but must use violence to do so. That said, most characters have little nuance: Almost all White characters are somewhere on continuum between quietly racist and murderous; people of color are mostly silent and exist mainly as bodies that can be abused. But Dawn stands out as vibrant woman of color with a bigger body type who is confidently able to take up space physically, emotionally, intellectually.
Violence & Scariness
Violence is frequent, disturbing. An enslaved woman caught while fleeing is knocked to the ground; she asks her captors to "kill me" and is shot; her body is then dragged away by a rope around the neck. A woman is branded by her enslaver; viewers see red-hot brand, hear sizzling sounds while she screams but don't see the brand actually burning her (later, scar is shown). A fight to the death involves an ax and some gory wounds; one character is killed on-screen. A character dies via suicide; her body is shown hanging at length, though camera mainly focuses on her swinging feet. Women are sexually assaulted: scene in which a dinner party of men is told that Black female servants are there to "fulfill every need"; one in which a woman is raped (a man's clothed back moves rhythmically as he grunts; he then rolls over and sleeps beside her). Characters are locked in a shed that's set on fire; they burn to death as they scream in agony.
Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.Get started
Sex, Romance & Nudity
Sexual violence: See "Violence" section for more. Other than that, one character is something of a player. She says she's "trying to f--k tonight" when she goes out with friends and talks about her dating-app hookups. She also criticizes a man who sends her a drink in a restaurant. A husband texts his wife to ask whether she has her "t-tties out."
Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.Get started
Language includes "f--king," "f--k," "s--t," "bastard," "ass," "goddamn," and "c--t." There's also racist language: "darkies" and "cracker," and men and women being called "girl" and "boy" contemptuously.
Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.Get started
Drinking, Drugs & Smoking
Characters drink at gatherings, and one frequently drinks from a flask; his wife grimaces when she kisses him and says "You started early."
Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.Get started
Parents Need to Know
Parents need to know that Antebellum is a horror movie about a Black woman (Janelle Monáe) who is brutally enslaved. As is typical with movies about enslavement, violence is cruel, disturbing, and largely enacted on people of color by White characters. Here, violent acts include beatings, rape, a suicide by hanging, and murder. In one particularly gory scene, characters grievously wound each other with an ax. Some scenes imply more than they show, such as one in which a woman is branded: Viewers never actually see the brand touching her flesh (sizzling noises are heard, however, and a scar is seen later). There's also frequent sexual violence, including a rape scene that shows a man's back moving rhythmically as he grunts before rolling over to sleep beside the woman he assaulted. Language includes "f--king," "f--k," "s--t," "bastard," "ass," "goddamn," and "c--t," as well as racist language like "darkies" and "cracker." Characters drink at parties and gatherings; one drinks from a flask, and it's implied that he has a drinking problem. People of color are at the center of this narrative, and a strong, powerful woman is the hero, but most characterizations are stereotypical and sketchy, so the characters' suffering and challenges don't have as much emotional impact as they might. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
There's plenty of terror in being part of a marginalized, brutalized group, and horror is a fantastic medium to explore pain, so why does this well-meaning film ultimately fail to land? Certainly, the characters' lack of specificity is a problem. Monáe is a powerful and compelling actor, and it's certainly creepy that she and her fellow enslaved workers are forbidden to speak -- which also serves as a decent metaphor for how marginalized people are silenced in real life. But although Monáe's expressive face communicates Eden's unending pain and fear, her silence also makes it difficult for her to know who she is and for viewers to connect to her as a person. Most of the other enslaved people don't even have names, which is likely an artistic choice but also makes it difficult to identify which characters are important.
Antebellum's White characters, too, lack humanity in more ways than one. They're unquestionably brutal and abusive, but they're also generically evil. What drives them to do the things they do? Viewers never understand, and though the filmmakers try to remedy that gap with an unintentionally hilarious chunk of exposition that Malone's Elizabeth delivers from horseback under a truly epic awful wig, it still doesn't make much sense. Ultimately, most of Antebellum's running time is taken up in watching the enslavers abuse the enslaved: A woman is dragged by a rope around her neck, a character is branded, women pick cotton under the hot sun in long skirts while men point guns and whisper about what they plan to do to the women at night. It's horrific, true, and hard to watch, but what's the ultimate point of all the suffering? Here it leads to cathartic violence (and, it shouldn't go without saying, some thought-provoking and nicely timed twists), but, without a character arc, it feels empty. And so does Antebellum.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.