Arlo the Alligator Boy

Sweet, goofy animated adventure has some peril, stereotypes.
Arlo the Alligator Boy
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A Lot or a Little?
The parents' guide to what's in this movie.
What Parents Need to Know
Parents need to know that Arlo the Alligator Boy is aimed squarely at kids, who will enjoy both its sweetness and its goofiness -- but there are some scary sequences to be aware of, too. They mostly involve an ominous "beast"; it's kept in the shadows for much of the movie, but it threatens others with its large size, ferocious growl, and glowing eyes. At one point, the beast drags a man away; at others, it appears poised to attack. The film's main character, Arlo (voiced by Michael J. Woodard), who's half alligator and half human, is also chased by characters who want to make him a part of their swamp creature tourist attraction. They're depicted as poor and uneducated, which plays into negative stereotypes of Southerners. Arlo's new friend, Bertie (Mary Lambert), comes to his rescue repeatedly, and they meet some unusual characters on their travels north from Cajun country to New York City, where Arlo hopes to find his birth father. The character Arlo believes to be his father represents big-city wealth and extravagance; there's some stereotyping of wealthy people being shallow. But Arlo and Bertie find a new family in their friend group and a place where they all belong, despite their differences and regardless of society's expectations. The characters demonstrate compassion and communication in their relationships with each other. Language includes "heck," "suckers," "fart," "freak." Arlo experiences a sugar high after crashing into a candy store. A character appears to spit tobacco juice, and another takes a shot of some liquor at his home bar.
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Big feels- abandonment, kindness, redemption, acceptance, and forgiveness.
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Simple story elevated by likable characters, great songs, a unique art style and terrific animation
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What's the Story?
Abandoned as a baby, half alligator and half human ARLO THE ALLIGATOR BOY weathers the high seas until his baby basket washes up at a rickety home in the bayou. There, a woman named Edmée (voiced by Annie Potts) adopts him and loves him as her own. But when Arlo (Michael J. Woodard) turns 15, he begins wondering what's out there beyond the bayou, and Edmée finally tells him the truth about his origins, brandishing a hospital bracelet from New York City with the name of his father on it. With Edmée's blessing, Arlo sets out north to find his father. Along the way, he's chased by two locals (voiced by Flea and Jennifer Coolidge) who want to capture him for their swamp tourist attraction, and he meets a series of interesting characters, including the large and strong Bertie (Mary Lambert), tigress Alia (Haley Tju), pink fur ball Furlecia (Jonathan Van Ness), Teeny Tiny Tony (Tony Hale), and fish-man Marcellus (Brett Gelman). In New York, he tracks down a wealthy real estate magnate (Vincent Rodriguez) he thinks might be his father.
Is It Any Good?
The overwhelming positivity of this film's main character and the emotion conveyed in its musical numbers will stay with viewers after the movie has ended. They also compensate for some of the more gratuitous action sequences and less interesting characters of Arlo the Alligator Boy. Arlo draws you in immediately with his wide-eyed sense of adventure, the loving relationship he has with his rough-edged adoptive mother, and his exuberant tunes -- belted early on with a tiny square banjo. His songs express his feelings, his desire to travel, his emptiness inside, his hope he may belong somewhere, and so on. The music is clearly central to this story and character, and writer-director Crego is credited as a background musician and vocalist as well as writer or co-writer on all of the songs, which are beautifully vocalized by the lead cast.
There are also some nonsensical species in this film, which is entirely the point, but may feel confusing or distracting. Bertie, the oversized girl resigned to spending her life alone, embodies sweetness and strength. Queer Eye's Van Ness is purposefully recognizable as the pink hairball Furlecia (whose tube-socked and high-heeled legs are so long that Teeny Tiny Tony can pole dance down them). Both of these characters are somewhat superfluous, as is Marcellus, the man-fish the gang breaks out of an aquarium (he seems to exist solely for the gag of describing life on the other side of the aquarium windows, stared at by those "monsters" -- kids). They'll all probably play bigger roles in the upcoming Netflix series based on the movie. The series would also gain by focusing on the friend group and removing the subplot about the poor, dumb, malevolent bayou couple, Ruff and Stucky, chasing Arlo. The beauty of this created world is that it's a positive place where everybody, no matter how unique or unusual, belongs. As Arlo himself might exclaim, "Rickety biscuit!"
Talk to Your Kids About ...
Families can talk about the idea of mixed-species creatures, like Arlo the Alligator Boy, who feel they don't fit in anywhere. Can these creatures represent an aspect of the human experience? How so?
How do Arlo and his companions demonstrate compassion? Why is this character strength important to each of them individually and to the forging of their new group?
How do the characters communicate their feelings through song? Why is this important for them?
Movie Details
- On DVD or streaming: April 16, 2021
- Cast: Michael J. Woodard, Mary Lambert, Haley Tju
- Director: Ryan Crego
- Studio: Netflix
- Genre: Family and Kids
- Topics: Friendship, Music and Sing-Along
- Character Strengths: Communication, Compassion
- Run time: 92 minutes
- MPAA rating: NR
- Last updated: February 17, 2023
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