Parents' Guide to Back in the Day

Movie NR 2016 121 minutes
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Common Sense Media Review

Jeffrey M. Anderson By Jeffrey M. Anderson , based on child development research. How do we rate?

age 17+

Mature boxing drama means well but falls far short.

Parents Need to Know

Why Age 17+?

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Parent and Kid Reviews

What's the Story?

In BACK IN THE DAY, middleweight boxer Anthony Rodriguez (William DeMeo) wins the championship and agrees to a sit-down interview with sports writer Larry Merchant (playing himself). Anthony tells the story of his drunken Puerto Rican father (Manny Perez) and the sad fate of his beloved mother (Annabella Sciorra). He also tells about growing up, mixed-race, surrounded by the neighborhood gangsters; one of them, Enzo (Michael Madsen), takes a liking to Anthony and looks after him, but Anthony's best friend, Matty (Joe D'Onofrio), is a bad influence on him. Anthony is in love with Maria (Shannen Doherty), but she's involved with the abusive "made" guy Dominick (Ronnie Marmo). If only Anthony can keep it together long enough to win the big fight, maybe he can make something of himself.

Is It Any Good?

Our review:
Parents say : Not yet rated
Kids say : Not yet rated

Star William DeMeo also wrote and produced this well-meaning, heartfelt boxing drama, but even with a great cast, it's too long, painfully overwritten, amateurish, and embarrassingly awkward. To start, Back in the Day shows its climactic fight at the beginning and tells the rest in flashback, so there's nothing to look forward to. And ech dialogue-heavy scene plays out roughly the same, with characters showing up somewhere, talking, and then leaving.

Actors like Madsen and Alec Baldwin manage to find things to work with in between their voluminous dialogue and come away with their dignity mostly intact. But the less-experienced actors haven't a prayer. The fight scenes aren't even exciting, turned bland by far too many cutaways to fans at ringside. Most of the soapy story elements have been done elsewhere, and better, but director Paul Borghese drags the movie out to a torturous two hours, as if pure repetition could pound some life into this punishing pugilist project.

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