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Berlin, I Love You
By Michael Ordona,
Common Sense Media Reviewer
Common Sense Media Reviewers
Limp anthology has brief nudity, language, adult themes.

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Berlin, I Love You
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What's the Story?
Do people really go to Berlin, as the narration in BERLIN, I LOVE YOU tells us, for the purpose of falling in love? This drama is the latest in the "Cities of Love" anthology series of films in which short narratives are loosely bound together by virtue of occurring in the same city (previous entries include New York, I Love You and Paris Je T'Aime). Among the stories: A jilted man (Jim Sturgess) wants to die but is rescued by a sentient car; a man hides in a brothel after apparently committing a murder; a worker (Keira Knightley) at a refugee center takes a young boy home to her unsympathetic mother (Helen Mirren); a burned-out Hollywood type (Luke Wilson) is charmed by a puppeteer (Dianna Agron); an aging Lothario (Mickey Rourke) picks up a mysterious woman (Toni Garrn) in a bar; and an immigrant taxi driver (Sibel Kekilli) picks up a nervous American (Iwan Rheon).
Is It Any Good?
This film's failure is proof that crafting a great short is an underrated skill, and all the star power in the world can't make up for the lack of it. Berlin, I Love You is all unconvincing romances, nonengaging exposition, and unearned sturm und drang. There's a pandering #MeToo-inspired episode in a fantasy laundromat that climaxes in an unappealing song-and-dance number featuring laboriously worked-in shouts of "Me too!" and "Time's up!" But the film's worst segment is truly objectionable, written by Neil La Bute, directed by Til Schweiger, and starring Rourke and Garrn. The dialogue sounds like someone took speeches from noir seduction scenes, put them in a blender, and gave them to the actors the second before the cameras started rolling. It's hard to tell whether its "shocking" ending is meant to be a twist, but, as it's not surprising in the least, the entire experience of viewing the segment is stomach-turning. Those who don't stop watching after that one won't find the rest of the film particularly redeeming.
The bright spots are few and far between, but there are a few. Kekilli charms as a tough-to-bring-down taxi-driving immigrant in a segment with another Game of Thrones alum, Rheon. Alas, it ends at the moment it becomes about something other than her charisma. A bit with Diego Luna as a drag queen is warm. How the filmmakers got Mirren is a mystery, but clumsy exposition threatens to smother her refugee-crisis piece with Knightley until the exercise is more or less redeemed by a single gesture. If you want to see some fascinating limited-length narratives, the annual crop of Oscar-nominated shorts are usually far more affecting or thought-provoking (and worthy of your support) than anything in Berlin, I Love You.
Talk to Your Kids About ...
Families can talk about the "love" entanglements in Berlin, I Love You. Which, if any, were convincing? Did they conform to your ideas of how people fall in love?
How is watching an anthology film different from watching one in which a single story is told? Is it easier or harder to make a good anthology film? How many anthology films have you seen? Of those, how many were really good?
How does the movie portray sex? Parents, talk to your teens about your own values regarding sex and relationships.
Movie Details
- In theaters: February 8, 2019
- On DVD or streaming: April 9, 2019
- Cast: Helen Mirren , Keira Knightley , Luke Wilson
- Directors: Dianna Agron , Peter Chelsom , Til Schweiger
- Inclusion Information: Female actors
- Studio: Saban Films
- Genre: Drama
- Run time: 120 minutes
- MPAA rating: R
- MPAA explanation: language, some sexual content and brief nudity
- Last updated: June 20, 2023
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