Brawl in Cell Block 99

A man kills people by stomping on their skulls. After such an attack, he turns a man over and what's left of the victim's flattened, bloody face is shown. He stomps another man's head in and kicks it repeatedly until the head is severed from the body. The head is seen rolling away. He notes that he hopes the head continues to live on for a while after the severing for maximum suffering. A stun belt is locked onto a prisoner, delivering painful electric jolts. The prisoner is thrown into a dingy cell, the floor of which is covered with broken glass. He's stunned and falls to the glass-strewn ground in pain, cutting his hands and knees. A prisoner beats several guards, snapping their limbs with loud, nearly-comic crunches. An angry man punches and damages a car with his fists. Police interrupt a drug deal and a deadly shootout ensues. A pregnant woman is shot with poisoned darts to sedate her, then kidnapped and bound. The kidnapper threatens to remove her unborn fetus's limbs. A criminal is shot by a warden. A prisoner is subjected to a "full-cavity inspection" by a gloved guard.

A man learns his wife has had an affair and that revelation leads them to recommit to their marriage. A workplace displays a poster of a woman in a skimpy bikini pouring a liquid down her chest. A prostitute seems to offer Bradley sex in exchange for a sample of his drugs. A man says that a woman has "a nice set."

"F--k," "s--t," "gringo," "blanco," "f---got," the "N" word, "ass," and "piss."

Bradley is a drug runner, dealing in heroin, meth, and other illegal substances.

Parents need to know that Brawl in Cell Block 99 is a crime-prison drama written and directed by someone who has been called by some a "master of gore." Since the subject matter suggests a realist approach, viewers could well be deeply affected by the film's extreme violence. But by the halfway point, the intensity and sheer volume of blood and guts, shootings, beatings, and loudly-crushed skulls (more than one!), become both oppressive and nearly comical, as if the plot was a flimsy device for gratuitous, choreographed-violence delivery. Unlike horror movies, where implausible plots lessen the impact of their violence, here the impact is exaggerated by the realist subject matter. This is significant as it relates to appropriateness for teens. Drug dealers are the main characters. Expect to hear "f--k," "s--t," the "N" word," and "piss."

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