Breakthrough

This is how to make an evangelical faith-based film. From the first notes of Bruno Mars' "Uptown Funk" in the opening scene, it's clear that Breakthrough is going to be a very different moviegoing experience than what many faith-based audiences are used to. That's because it reflects real American life, not just a Christian bubble: Teens talk about "hot" girls, tease each other in a way that feels like bullying, and even use a mild curse word. Setting that reality up makes it all the more affecting when tragedy strikes the Smith family -- and all the easier to believe the miracle that unfolds. It's also what gives Breakthrough the power to cross over to a mainstream audience (particularly with the NBA's Stephen Curry involved as a producer -- be ready to roll your eyes when characters go on and on about the Warriors game).

Devout Christians may feel discomfort at the secular inclusions; smartly, the movie addresses that conflict through Joyce's irritation with the new pastor from California and all of the "left coast" changes he brings to the Smiths' Missouri town -- like Christian rap and sermons incorporating The Bachelor. But that's real. And so are the main characters: Joyce is prickly, rigid, and not always kind; teen John has an attitude; dad Brian is sometimes weak; and pastor Jason can be a bit of a tool. They aren't always necessarily likable, but the film's honesty is what gives it power. More strength comes from Metz's sensational performance: She doesn't act like a mother whose son is hanging on to life by a thread, she lives it -- and her authenticity will affect every mother in the audience. In its unconventional approach, Breakthrough just might shatter the faith-based film glass ceiling.