Common Sense Media Review
Graphic violence in thoughtful, disturbing horror-thriller.
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Coming Home in the Dark
What's the Story?
In COMING HOME IN THE DARK, Alan (Erik Thomson) is a high school teacher on a road trip to the New Zealand seaside with his wife, Jill, and her teenage sons, Jordan and Maika. They stop for a picnic as the sun is starting to set, but after taking a family photo and settling in to enjoy the evening, they're accosted by two drifters who rob them at gunpoint, the wickedly eloquent Mandrake (Daniel Gillies) and his sullen sidekick Tubs. They are about to leave after robbing them, but when one of the kids calls Alan by his nickname, it sets off a more violent altercation. After two family members are killed, Mandrake and Tubs steal Alan's car, and Mandrake begins asking probing questions about his career as a teacher. Mandrake gets Alan to admit that when he was starting out as a teacher, he worked as an assistant in a reform school where students were sadistically abused by their instructors. As Alan is forced to confront his past, he must also find a way to survive Mandrake's horrifying night of reckoning.
Is It Any Good?
This incredible horror-thriller from New Zealand has unrelenting suspense and a provocative message. Coming Home in the Dark dispenses with the slow build of other horror-thrillers, and once the first shocking moment of violence happens, the gruesome action takes increasingly darker turns and doesn't let up until the credits. All the while, the movie never loses sight of its reflections on the idea expressed in the quote attributed to Edmund Burke: "The only thing necessary for the triumph of evil is for good men to do nothing." This message comes through, brutally, time and time again, even as it exists in the gray areas of justice being meted out by a pair of psychotic drifters.
While the story is incredible on its own, the acting is what makes this a truly unforgettable movie. Mandrake, the savagely eloquent bad guy drifter played by Daniel Gillies, comes across as a less cartoonish chip off the old psychotic cellblock populated by the murderous gang members of the first two Mad Max movies. And with its recurring shots of the white lines of desolate highways scrolling through the course of a traumatic night, it's hard not to be reminded of the second half of Mad Max, as Max drives all night in the "Last of the V8 Interceptors" in search of vigilante justice. But the comparisons stop there, as Coming Home in the Dark isn't so much about justice or the lack thereof from a society that is falling apart, but rather from injustice as a result of individual cowardice, indifference, or apathy. This is a message that should linger long after viewing.
Talk to Your Kids About ...
Families can talk about the theme of Coming Home in the Dark. What comment is the movie making about how it's just as bad for good people to do nothing when witnessing evil as it is for evil people to commit horrific acts? What are your thoughts on this?
How does violence, or the threat of violence, propel the story? Is it too much, or is it necessary for the movie's overall message?
This movie is based on a short story. What would be the challenges in adapting a short story into a feature-length film?
Movie Details
- In theaters : January 30, 2021
- On DVD or streaming : November 30, 2021
- Cast : Daniel Gillies , Erik Thomson , Miriama McDowell
- Director : James Ashcroft
- Inclusion Information : Indigenous Movie Director(s) , Polynesian/Pacific Islander Movie Director(s)
- Studio : Light in the Dark
- Genre : Horror
- Run time : 93 minutes
- MPAA rating :
- Last updated : November 30, 2021
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