Cuba and the Cameraman

Movie review by
Brian Costello, Common Sense Media
Cuba and the Cameraman Movie Poster Image
Interesting but long docu on Cuba under Castro.
  • NR
  • 2017
  • 114 minutes

Parents say

age 18+
Based on 1 review

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The parents' guide to what's in this movie.

Positive Messages

Documentary shows ordinary Cubans, follows them over the course of decades, shows the Cuban culture in a positive light. 

Positive Role Models & Representations

Jon Alpert reveals boundless curiosity, love, and concern for the people he presents in this documentary. 


Cubans attempting to defect by entering the U.S. Embassy in Havana are shown getting pelted with rocks. A bloodied face shown up close during a riot. 


"F--k" used once by Fidel Castro. "S--t," "bulls--t." 

Drinking, Drugs & Smoking

There's a lot of cigar smoking. Cigarette smoking. Rum drinking, some scenes of drunk revelers. 

What parents need to know

Parents need to know that Cuba and the Cameraman compiles raw footage from a filmmaker's several visits to Cuba beginning in 1975. It follows various Cubans -- including Fidel Castro -- throughout these years, and also shows what happened when the Soviet Union collapsed and Cuba was no longer receiving billions of dollars in subsidies from Moscow. Unsurprisingly, there's a lot of cigar smoking. There's also some drinking and drunkenness, as well as a use of "f--k" by Castro, as well as "s--t" and variations. The film has shots of riots, including bloodied faces, and of rocks being hurled by Cubans at other Cubans attempting to defect by entering the U.S. Embassy in Havana. What eventually emerges is a fascinating glimpse of a culture and how it changed and adapted over the course of Cuba's communist government, and how many persevered. 

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What's the story?

In 1975, after a few years of using the recent development of video camera technology to engage in investigative journalism that called attention to some of the problems that plagued New York City, CUBA AND THE CAMERAMAN filmmaker Jon Alpert set his sights on Cuba. He wanted to see how socialism was functioning under Fidel Castro 15 years after the Cuban Revolution. What transpired over the course of several visits from 1975 through 2016 was a documentation of how the tumultuous changes the island nation experienced during these decades affected Cuban society and the individuals Alpert befriended during these visits. From the relatively prosperous 1970s to the years of struggle and food shortages in the aftermath of the fall of the Soviet Union (who gave Cuba billions of dollars in subsidies over the years), to the more recent era of a loosening of restrictions on free enterprise, the emergence of a tourism and black market economy, and the death of Fidel Castro, Cuba and the Cameraman shows, as it happened, what changed in Cuba during this time. 

Is it any good?

At its best, this documentary has some similarity to the Up series of films revisiting a group of British men and women every seven years to see what they're up to. The joy and excitement filmmaker Jon Alpert exudes upon rediscovering the friends he has made in Cuba over the years through their ups and downs is obvious and contagious. The farmers, vendors, and families he follows over the years from childhood to adulthood to old age display a kind of transcendent charm in their smiles and good humor, a good humor that only turns grim in the aftermath of the collapse of the Soviet Union and the end of the billions of dollars in subsidies that kept the Cuban economy running. And the charisma and charm of Fidel Castro, no matter what you thought of him, is undeniable in his interactions with Alpert; there's something hilarious about Castro writing a "Please excuse my absence" letter for Alpert's daughter to give to her teacher when she tagged along for a visit, for instance. 

But the magic and wonder of Cuban culture and the Cuban people conveyed in the raw footage compiled from several visits spanning from 1975 to 2016 seem to happen in spite of Alpert, and there are times you wish he would simply get out of the way. The beginning of the movie, for instance, in which Alpert explains his use of the then-new video camera to muckrake in New York City, goes on for entirely too long. The voice-overs often don't say anything the camera footage isn't already saying on its own. Which isn't a deal-breaker to the enjoyment of Cuba and the Cameraman, but it definitely prevents a good movie from being great. 

Talk to your kids about ...

  • Families can talk about documentaries. How does the raw footage in Cuba and the Cameraman show Cuba over the years, its culture, and its people? 

  • How did the views of the filmmaker, and the views of Cubans themselves, change over time concerning Fidel Castro, communism, day-to-day life? 

  • What, if anything, surprised you about this documentary? 

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