A Lot or a Little?
What you will—and won't—find in this movie.
Viewers will learn about the different herbs and plants that are used in Bella's recipes, as well as the importance of perseverance and curiosity.
The story's messages include the importance of being courageous and curious, not giving into fear, rising to challenges, and remembering to find the good in any situation. Also encourages friendship and teamwork.
Positive Role Models
Although Earwig at first appears spoiled, self-centered, and manipulative -- claiming she can get everyone to do everything she wants -- she's also curious, brave, strong, and determined. She cares deeply for her best friend, Custard and the black cat Thomas and even grows to feel affection for the adults around her. The Mandrake and Bella are frightening for most of the movie, but they eventually take care of Earwig.
Violence & Scariness
The movie begins with a car chase involving magic (a witch riding a motorcycle throws her hair, which magically turns into worms, at a car). Other scary elements include the frightening, shape-shifting Mandrake, whose demon eyes grow huge and wild and who yells and threatens Bella. The witch sets worms on Thomas and Earwig if they don't obey or don't complete all the work she commands. Earwig is trapped in the house and can't get out except when the witch allows her in the garden. Earwig is shown slicing snake skin and working with creepy ingredients like "rat's bones," "bat wings," "donkey ears," etc. Earwig puts a spell on Bella that gives her extra limbs. Orphanage director mentions how one orphan's parents "were killed in a fire."
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Sex, Romance & Nudity
In a flashback, two people in a band nearly kiss. It's implied they were together.
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A few insults/ableist slurs: "idiot," "lazy beast," "little monster," "scaredy cat," etc.
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Drinking, Drugs & Smoking
No drugs or alcohol -- just magic potions/spells.
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Parents Need to Know
Parents need to know that Earwig and the Witch is based on the children's book by the late Diana Wynne Jones and is the first fully 3D/CGI-animated film from Japan's famous Studio Ghibli. It includes several elements that are signatures for the studio: witches, magic, a precocious young girl (Earwig, voiced by Taylor Henderson), and a black cat. There are some potentially frightening moments, characters, and images, including a car chase, creepy potion ingredients, and the magical Mandrake (Richard E. Grant), who can grow nine feet tall and walk through walls and is menacing. There's also Bella the witch (Vanessa Marshall), who threatens Earwig and keeps her trapped in a magical house. Other unsettling moments include Earwig casting a spell that temporarily makes Bella sprout extra limbs from her face and side, a witch's hair magically turning into worms, and the Mandrake's demonic eyes growing huge and wild. Language includes a few insults like "idiot" and "lazy." Earwig may not be instantly likeable -- she's self-centered and boastful about how everyone does what she wants -- but she's brave, and she rises to challenges and works to better her circumstances. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
It's not just Studio Ghibli purists who will object to the merits of the company's first computer-generated film, because it lacks an emotional center, a robust plot, and a charming protagonist. Earwig is clever, curious, and fearless, but she's also undeniably self-centered and controlling -- even boasting that there's no point in leaving the orphanage because it would mean fewer people to boss around. The animation is an obvious, purposeful departure from Ghibli's iconic hand-drawn style, and while it's laudable that Goro Miyazaki (the late, legendary Hayao's son) is trying to expand the studio's offerings, the result might be too different. It's as if Pixar were to release a quirky stop-motion movie or something like Wolfwalkers or The Secret of Kells. Something just would not compute.
The departures might have been easier to digest if Earwig and the Witch were generally a better film, but it's underwhelming and unlikely to be a crowd-pleaser -- even with the English-dubbed version featuring Musgraves' singing and the gravitas of Grant and Stevens, both of whom are fine voice actors. Despite the movie's flaws, families and kids will still find moments to enjoy, particularly the relationship between Earwig and Thomas the cat. But it has a lot of unanswered questions, and you have to wonder whether Miyazaki simply chose the wrong book to adapt. Jones also wrote Howl's Moving Castle, but Earwig isn't a fraction as magical.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.