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Parents' Guide to

Flawless

By James Rocchi, Common Sense Media Reviewer

age 14+

Retro London heist caper may not interest kids.

Movie PG-13 2008 108 minutes
Flawless Poster Image

A Lot or a Little?

What you will—and won't—find in this movie.

Community Reviews

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age 12+

Based on 2 parent reviews

Vmbeth
Vmbeth Adult
August 6, 2021
age 11+

Good clean heist movie

We (me and kids 11 and 14) thought it was an interesting story and appreciated the lack of sexual content and violence. And the language was mostly tame too.
Tsion
Tsion Parent of 13-year-old
July 10, 2009
age 12+

An Engaging Caper...

FLAWLESS is a very good movie for adults and teens. It's probably okay for preteens too, but they might be bored by it, since it is set up much like a Hitchcock thriller instead of James Bond. There is one "f**k" in addition to one "d**n" and one "piss". There is lots of drinking and smoking, though none of it is promoted. Though both of the main characters have motives for stealing the diamonds (he becuase of his late wife and her because of her mistreatment by co-workers), make sure kids understand that that doesn t make it right.

This title has:

Too much swearing
Too much drinking/drugs/smoking
See all 2 parent reviews

What's the Story?

In present-day London, a young reporter interviews Laura Quinn (Demi Moore) about her experience as a female executive during the '60s in the male-dominated world of diamond sales and acquisitions. Laura puts a diamond the size of a chicken egg on the table; the movie then flashes back to the past, where her movement up the corporate ladder is stalled due to her gender -- and where friendly janitor Mr. Hobbs (Michael Caine) makes an unusual proposition. He suggests combining Laura's position and privilege with his access to the building -- with the aim of taking just a few diamonds from the basement storage vaults. It's a simple plan ... but, of course, things don't go as planned.

Is It Any Good?

Our review:
Parents say (2 ):
Kids say (1 ):

FLAWLESS is a perfectly fine caper film that's undermined by the framing device and moral lesson surrounding it. Moore's clumsy old-age make-up is distracting, and the film's ultimate message feels tacked on and superfluous. The best thing in the film is Caine; who could have imagined that one of the screen's biggest hams would have turned into such a subtle, sly old pro late in his career? Moore is also good -- in the '60s scenes, Laura has a nice mix of toughness and vulnerability, and while there's a hint of romance in the air when handsome investigator Mr. Finch (Lambert Wilson) asks questions about the theft, Moore gets to be defined by who she is, not by the men around her.

Director Michael Radford shoots the heist material with cool competence; making it even more of a shame that he didn't cut screenwriter Edward A. Anderson's clumsy, clunky modern-day sequences that book-end the retro cool of Moore and Caine's unlikely (and unstable) partnership in crime. The film's smoke-wreathed, tweed-clad style looks great, but the best reason to see Flawless is ultimately Caine's top-notch work as Hobbs.

Talk to Your Kids About ...

  • Families can talk about the curious logic of many heist films -- can, in fact, two wrongs ever make a right? Families can also discuss sexism in the workplace, past and present, as well as questions of class, capitalism, and consumerism (think of the movie as a mix of 9 to 5 and Oceans Eleven, set in '60s London). Is it right that Hobbs is largely invisible to his employers? Or that Laura is routinely passed over for promotion? Also, why is it that caper/heist films -- which usually involve detailed, intricate schemes to steal -- are so engaging and popular?

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