For Colored Girls

This is Perry's best film so far. He extracts fabulous performances from his all-star cast. The actresses -- particularly Devine, Rashad, and Elise -- are excellent (the only slightly off-note performance is Goldberg's, because her character's religious cult's beliefs aren't explained, and her devotion rings slightly false). As the award-winning theater veterans of the ensemble, Devine and Rashad are an absolute pleasure to watch. With an arch of the eyebrow or a jut of the hip, they steal every scene from their younger co-stars.

Given that Shange's "choreo-poem" featured unconnected poems, Perry was smart to thread them together through the apartment building and other coincidences. But his compulsion to include long, poetic monologues -- accompanied by an emotional score -- only works part of the time. Other times it takes the viewer out of the story and creates an overwhelming sense of melodrama, both predictable and occasionally cringe-inducing.  And then there's the dialogue (added by Perry) that just doesn't work at all, like a climactic exchange between Jo and her husband Carl (Omari Hardwick), in which the words "sorry" and "sorries" are traded at least 50 times. It reduces what should have been a powerful scene into a ridiculous, predictable conversation. With a tighter script and a little less of the soliloquies, this could have been an award-worthy film. As it is, it must settle for being Perry's best so far.