A Lot or a Little?
What you will—and won't—find in this movie.
Promotes empathy, communication, compassion, and perseverance. Underscores the core belief that kids coming from extremely difficult circumstances are still kids who deserve unconditional love and a chance to flourish. Makes it clear that while some foster parents are patient, kind, and loving, other people's motivations for fostering are strictly financially motivated -- just as the bottom line can be for a for-profit agency. Shows the impact of systemic racism, especially in portraying how easily a White-dominated society and justice system look at Black men and see criminals.
Positive Role Models
Michael Trainer's character development includes understanding the harmful impact of his prejudicial thoughts and learning to listen, believe, and value those whose experiences are different than his. Jamal's courage is evident in the way he tries to overcome his PTSD and confront his abuses and abusers. He tells the truth about his past even when others don't believe him.
Violence & Scariness
Jamal is roughly arrested by the police, who plant evidence on him. Flashbacks to him being physically and sexually abused by foster parents and a fellow foster kid. In jail, he's confronted and has a fight with someone; another person gives him a weapon, but he throws it away. People intervene to keep a father from picking up his son, who's then taken in by the authorities.
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Sex, Romance & Nudity
Brief flirting; a married couple embraces.
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Strong language includes "f--k," "s--t," "a--hole," "thug," "p---y," "bitch," "goddamn," "Jesus Christ," "f--got," and more.
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Products & Purchases
Drinking, Drugs & Smoking
Adults drink at bars, restaurants, dinners. Police plant drugs on Jamal.
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Parents Need to Know
Parents need to know that Foster Boy is a courtroom drama inspired by the legal cases of screenwriter/Chicago-based attorney Jay Deratany, who witnessed corruption in for-profit foster agencies. Produced by NBA legend Shaquille O'Neal, the movie stars Matthew Modine as Michael Trainer, a Deratany-like attorney who's assigned the pro-bono case of a young man (Shane Paul McGhie) who's accusing a foster-care agency of negligence, leading to years of abuse. Expect frequent strong language ("f--k," "s--t," "p---y," "bitch," etc.), including uses of the racist slur "thug." Adults drink and smoke cigarettes, and drugs are discussed and shown planted as evidence. Violence includes flashbacks to disturbing physical abuse, a serious jail fight that nearly leads to death, and child endangerment. Race and bias are discussed and unpacked as Michael recognizes his own prejudice and becomes more sensitive to Jamal and his experiences. They both learn to look beyond first impressions. Parents and teens can discuss the importance of all kids feeling loved and cared for in a safe home. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
This legal drama veers into soapy territory as it explores the abuse, negligence, and corruption involved in a system supposedly designed to keep kids safe. Although at first glance the Shaquille O'Neal-produced Foster Boy looks like a standard-issue White-savior film, it gives Jamal just enough agency to skirt that designation (the focus on courtroom proceedings over interpersonal drama also helps). Michael isn't a stereotypically lionized "man of principle" who swoops in to save Jamal like Atticus Finch, and Jamal isn't full of truths that teach Michael about life. The movie does tell the story from the White lawyer's perspective due to the screenwriter's own experiences as a White lawyer taking on the foster care system. Some aspects feel a bit over-the-top, particularly when the company starts using Big Brother-like tactics to intimidate Jamal and Michael. And it's obvious from the get-go that the private foster care agency is capital-E Evil. Those details make Foster Boy feel like it's more about a lawyer and his client fighting corporate malfeasance than about the power dynamic between a Black client and his White attorney.
Race and racism are still major themes, particularly in the sense of portraying how easily a White-dominated society and justice system look at Black men and see criminals. Predictably, Michael starts the movie prejudiced and unmoved by Jamal's claims ... until the agency starts revealing its true motivation: profit at the expense of the children they're entrusted to place in safe homes. Modine is suited for his part, and McGhie gives a nuanced, powerful performance as a survivor of emotional abuse who wants someone to be accountable for what he never should have had to endure. As a smart, observant judge, Gossett Jr. will remind audiences that his gravitas is worthy of much more than a supporting role. While this film isn't likely to be confused with "crusader" courtroom dramas like Erin Brockovich or Primal Fear, it's a story that will make audiences want to dig deeper into the sad state of foster care in the United States.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.