A Lot or a Little?
What you will—and won't—find in this movie.
A scientist recklessly experiments with life and death by artificially bringing to life a man he has fashioned from various body parts. Two characters steal corpses and body parts from graves, the gallows, and a medical college.
Positive Role Models
Dr. Frankenstein plays God with horrible consequences, the monster is tortured and violent and the townspeople lack empathy or kindness. The good side of human nature is mostly ignored.
Violence & Scariness
Relatively mild violence compared with today's horror flicks. However, killings include a child who drowns when a character throws her into a lake, although it's clear that he doesn't intend to hurt her. Her actual death is not shown, though her father carries her body through his village. A man threatens the monster with a torch and whips him while he's chained in a cellar. A doctor is strangled, a man is hanged. A mob of villagers hunts down a monster and chases him into a windmill. They set fire to the windmill, and the monster is shown trapped inside under debris. Various scenes of fighting, scuffling, attempted strangulation.
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Sex, Romance & Nudity
A man and a woman kiss.
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Drinking, Drugs & Smoking
A gravedigger smokes a pipe. A man smokes a cigarette. Characters drink champagne and wine. A sick man is given brandy to drink as a remedy.
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Parents Need to Know
Parents need to know that although this horror movie is tame by today's standards, it does deal with issues of life and death and scientific ethics. Also, there are some killings, including a child who is drowned when a monster throws her into a lake. Younger children might be frightened by the monster, themes of grave-robbing, and the laboratory scenes. Still, older kids accustomed to modern-day horror's fast pace and stylized violence may find the film too "old-school" for their tastes. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
Is It Any Good?
Decades after its release, this classic monster movie remains just as eerie today thanks to the chilling presence of Boris Karloff as the monster. When he first appears on-screen -- a hulking, lumbering, vacant-eyed creature -- the moment is pure black-and-white horror. But Karloff also invites sympathy with his portrayal of a tragic and misunderstood being with the body and strength of an ogre but the mind and innocence of a child. Sure, the movie occasionally feels dated, and viewers might find some incidents more slapstick than scary. But overall, it holds up admirably.
Those familiar with the more famous scenes will be surprised to discover some comic relief in the character of Henry's father, a crusty old baron. Although the baron's final lines, which end the movie, may seem abrupt by today's standards, they still convey the sad, strange irony of an old man's wish for a grandson and his son's "fathering" of a kind of monster-child. This classic remains the most iconic film adaptation of the novel, even though it does stray from Shelley's original plot.
Did we miss something on diversity?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.